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Painting in my Indianapolis studio, CCIC South Studio B17
Painting in my windowless Indianapolis studio, CCIC South Studio B17 (charged by all indoor light)
The painting is illuminating my cabinets slightly
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Striving: Photoluminescent Painting

Michele Burns

United States

Painting, Watercolor on Canvas

Size: 36 W x 12 H x 1.5 D in

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SOLD
Originally listed for $525
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About The Artwork

This is part of an experimental series testing new processes to get a large quantity of photoluminescent minerals onto canvas, and then painting on top of the luminous coating with a translucent paint that lets the light shine through- in this case watercolor. I am inspired by the simplicity of aboriginal and other so-called primitive arts, consisting of pattern, and indicating movement. The fun of this painting is the surprise when the lights go out. The minerals- strontium aluminate doped with a couple rare earths to get the blue color- is excited by any visible light, natural or artificial. The closer your bulbs are to full spectrum, the more vivid the blue will be if the painting only sees indoor light. Blue is the longest-glowing color and will glow all night. It will look white by morning, but still be quite visible. The minerals used are OSHA-rated toy-safe, and will continue to absorb and shed light for decades.

Details & Dimensions

Painting:Watercolor on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 12 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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