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Substitute - Moon / Horse / Cow (Automatic Return) Painting

Enda O'Donoghue

Germany

Painting, Oil on Canvas

Size: 98.4 W x 55.1 H x 1 D in

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About The Artwork

San Francisco, November 20th 1973, The Who played the opening concert on their Quadrophenia US tour at a venue called the Cow Palace. Before the show Keith Moon, the drummer, ingested a concoction of horse tranquilizers and brandy. Allegedly he took to stage declaring “I can take it, I’m Keith fucking Moon.” About 70 minutes into the show during the song “Won’t Get Fooled Again”, Moon began to waver and eventually slumped over his drum kit, and passed out. He was carried o stage given an injection of cortisone and cold shower and after about 30 minutes he returned to the stage. The concert continued but after just a few more minutes he passed out again. He was carried o again and this time didn’t return. Guitarist Pete Townshend asked the crowd, “Can anybody play the drums? I mean somebody good!” A 19 year old called Scot Halpin was selected from the crowd, came up on stage, was given a shot of brandy for his nerves, took the seat behind the drums and nished out the rest of concert as the Who’s substitute drummer. Together they played two blues classics “Smokestack Lightning” and “Spoonful”, followed by a Who song “Naked Eye.” This triptych is made up of two small canvases, one presenting an image from a found photograph of a record player and the other a structural motif of a grid overlaid with layers of at blocks of colour. The main canvas, the largest of the three, presents an image based on a video still culled from footage found online of this infamous Who concert in 1973 showing Scot Halpin on drums.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:98.4 W x 55.1 H x 1 D in

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Enda O’Donoghue’s work presents a forensic interest into the construction, the language and the mediated world of digital images together with an ongoing dialogue with the medium and process of painting. Hovering between the realms of abstraction and representation, between the mathematical encoded and the organic, O’Donoghue’s paintings are the result of a process which is highly analytical and methodical and yet inviting of errors, misalignments and glitches. The imagery comes almost exclusively from found photographs sourced from the Internet, where he plays with random throw-away moments of everyday life, merging them together in various interconnected themes. In O’Donoghue’s work, the painterliness of his technique works with the disposable nature of his subjects to make the work sometimes poignant and melancholic, or alternatively brittle and harsh. His work is deeply influenced by the digital high speed reality we now live in and he transports these seemingly meaningless sound-bite images from a place of apparent futility to one that questions and searches for meaning through the transformative act of painting. O’Donoghue has taken part in numerous international group exhibitions, including shows at CHB, Berlin (2014), Meter Room, Coventry (2012), The Moscow Museum of Modern Art (2011), Expo in Shanghai (2010), Universal Cube, Leipzig (2008), Four Gallery, Dublin (2006), Overgaden, Institute for Contemporary Art, Copenhagen (2006) and a number of solo shows in Berlin, Ireland and in 2009 a solo exhibition in New York. In 2012 his work was presented in a major solo exhibition at the Limerick City Gallery of Art, Ireland and he has recently been awarded a residency at the Golden Foundation in New York state. He has also curated a number of group exhibitions, most recently an exhibition presenting a selection of Berlin based Irish artists at Grimmmuseum in Berlin which toured to the Galway Arts Centre, Ireland in 2013. His work is included in many public and private collections worldwide including Limerick City Gallery of Art in Ireland, The Golden Foundation in New York and Paypal in Berlin. Born in Limerick, Ireland. Lives and works in Berlin. website: http://www.endaodonoghue.com

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