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Summer Redundant, Blueness Abundant Painting

Linda Post

United States

Painting, Oil on Wood

Size: 24 W x 36 H x 1 D in

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About The Artwork

This young girl posed for my paintings from age 10 to 15. Here she is in full adolescence, her thoughts in a secret place. The intensely blue sky shows the remnants of a faded rainbow. In the distance, children play ring-a-rosy and striped tents catch the warm light. Featuring the striped, peaked tents on Chappaquiddick Island, Martha’s Vineyard, these landscapes are the settings for a series of figurative paintings that explore the mysteries of adolescence — and probe the memories of my own youth, as well. The gessoed wood panel provides a strong support for my oil painting style, which involves brushing, rubbing, scoring and working with my fingers.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:24 W x 36 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Post's paintings, pastels and monotypes have been exhibited in museums and galleries throughout the country and reside in many important public and private collections. She has had two solo shows at the Mary Ryan Gallery in New York City, seven one-person shows at the R. Michelson Gallery in Northampton, MA and solo shows at the University of Massachusetts, the Wisteriahurst Museum and Mary Washington College. Her work has been included in many prestigious group shows and invitational exhibitions in New England, New York and the Southeast over the last 30 years. Post's paintings and pastels have been featured in extensive photo essays in American Art Collector and American Artist magazines, and a two-page interview, with photos, appeared in the Artful Mind. Her painting, "Solstice", on the cover of The Gettysburg Review received the Ozzie Award for Design Excellence; the Review also selected Post's work for an eight-page color portfolio inside the same issue. Color reproductions of her work have graced the cover of Cornell University's Epoch literary magazine, and were selected for the cover and the content of five Return of the Goddess Engagement Calendars and the hardcover book, Return of the Great Goddess. Reviews and images of her work have appeared in the Boston Globe, the New York Times, Preview Magazine and many other national and regional publications. A 24-page color catalogue was published in conjunction with her 2008 show, Balancing Acts, at the R. Michelson Gallery. She has taught numerous workshops in figure drawing, pastel and printmaking. When she isn't in her studio, she works as Founding Director of the Paradise City Arts Festivals.

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