view additional image 1
View in a Room ArtworkView in a Room Background
The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities.

Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity.
These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently.

Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.
The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities.

Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity.
These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently.

Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.
The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities.

Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity.
These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently.

Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.
The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities.

Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity.
These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently.

Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.
The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities.

Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity.
These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently.

Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.
38 Views
1

VIEW IN MY ROOM

Sun on the wall, variation 2. Painting

Samuel Garijo

Spain

Painting, Acrylic on Wood

Size: 22.8 W x 31.1 H x 1 D in

Ships in a Box

info-circle
SOLD
Originally listed for $500
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
38 Views
1

About The Artwork

The challenge of representing a quadrangular building on an equally quadrangular support and which is interesting aesthetically has been raised. The shape of the building reiterates the form of the support, alluding to the physicality of the work itself. It's like saying that you're not facing the representation of an urban scene, but rather a painted painting that looks like an illuminated building. This exaggeration of the forms has allowed us to give greater importance to interesting elements because of their chromatism or other qualities. Almost by chance, in the process have arisen a series of textures that conferred to the image a depth and genuine identity. These textures showed in a veiled way the work of the lower layers creating a very special vibration. The same vibration produced by the sun striking the facade violently. Once again it has been tried that the spectator can recognize the image and, at the same time, find in it elements of distortion. In this case they are obvious, it is more, it may appear at first glance as abstract and in a second moment the subject is recognized. The important thing is that this activates the viewer's reflection.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:22.8 W x 31.1 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support