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Synergy Painting

DIMA FATUM

Ukraine

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 1 D in

Ships in a Crate

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About The Artwork

The term "synergy" came to us from the Greek language ("syn" - "together" + "ergeia" - "work"). On the principles of synergy, the main political and public conglomerates are based, in this - the key to the success of any collective endeavors. The future is the unification around high ideas and in this future there is no place for separation in any of its manifestations. Modern mankind is at that stage of development, when public interests can no longer be confined to national ideas or state borders. The interests of mankind must be much more global, large-scale, comprehensive. To date, the most important task of mankind is to preserve the resources of our planet and protect the environment. And for the positive outcome of this task, people yesterday had to stop dividing society by some signs, emphasize differences and inequality, and instead start to see the common - our destiny.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Dima FATUM is an Ukrainian street artist / muralist. Every his mural needs to be explained, because he creates his artworks based on a historical or/and philosophical context of city/area/country. His artworks are characterized by a unique experiments with different artistic styles and genres. Basically it is: surrealism and the "double" images (optical illusions). Also he is the propagandist of post-graffiti and abstract graffiti styles. He began his creative career in 2000. Dmytriy (real name of FATUM) has graduated art school. Having practiced his art on the street for ten years, he began to exhibit his canvases in the galleries. His artworks are exhibited in Pinchuk Art Centre, Lavra Gallery, in “Museum of street art” in Saint-Petersburg, and also many others of them are in his CV. Certainly, Dmitry's practice of street art is not inferior to his institutional activities. Over time, his artworks in urban space are gradually becoming “legalized” and mowed to the territory of muralism and municipal aesthetic vision.

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