Tcr - mnestic process 2 - I don't want to remember Painting

The game of the Trinitarian relationship is presented in its causative harmonicity. The surface of the canvas stretches out to accommodate the color in such a way that it can be crossed by the light, vibrating with it. “On the threshold of the image. When a color is projected beyond the canvas, distancing itself from its surface, with this force, like a real eruption, the viewer can rightly ask himself: "what am I observing?" . A sculpture? , A painting? What? I believe this may be a fair question, but not a fundamental one. Just stop for a moment, think that every millimeter of distance that the color takes from the surface of the canvas, in its protrusion into space, it gradually becomes closer to the artist, first, and later to the spectator himself. it is here that we find the engine of vision, the fulcrum of perception, the convergence of artistic representation ... And the image that we could have believed destroyed, deconstructed, enhanced ... is now performed in this small space, in this small stage that separates the canvas from the viewer, captured in a perennial tension towards him”. I don't want to remember The stratification of memories, the experience, the analysis of the memory, everything is transferred to the material which, first in a constructive and then obscuring way, rises to mean a mnestic process where you do not want to remember something. Oil,stucco, others on canvas