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Terra Incognita Painting

meg aiken

United States

Painting, Oil on Canvas

Size: 40 W x 30 H x 2 D in

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About The Artwork

TERRA INCOGNITA D. H. Lawrence There are vast realms of consciousness still undreamed of vast ranges of experience, like the humming of unseen harps, we know nothing of, within us. Oh when man has escaped from the barbed-wire entanglement of his own ideas and his own mechanical devices there is a marvellous rich world of contact and sheer fluid beauty and fearless face-to-face awareness of now-naked life and me, and you, and other men and women and grapes, and ghouls, and ghosts and green moonlight and ruddy-orange limbs stirring the limbo of the unknown air, and eyes so soft softer than the space between the stars. And all things, and nothing, and being and not-being alternately palpitate,* when at last we escape the barbed-wire enclosure of Know-Thyself, knowing we can never know, we can but touch, and wonder, and ponder, and make our effort and dangle in a last fastidious fine delight as the fuchsia does, dangling her reckless drop of purple after so much putting forth and slow mounting marvel of a little tree. © 1920 B. W. Huebsch

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 30 H x 2 D in

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Meg Aiken's current body of work includes figurative oil paintings which have been described as passionate and expressive. With each brush stroke - a shape, a value, a color - Aiken hopes to push herself to the edge and not only create a unique work of art but also speak to men and women of all ages who long to grow beyond - age , oppression , fear - and dare boldly. These works evolved from the desire to bring forth the faces of women and children in all cultures. Aiken has exhibited widely and her paintings are held in private collections in the United States. She is the recipient of multiple awards from various organizations including the Portrait Society of America, Principle Gallery and Women Painting Women. Aiken lives and works in Chattanooga, Tennessee.

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