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Whether we are conscious of it or not, each of us is always subject to our surroundings. The seen and the unseen in the atmosphere of a room can dictate our well being. For this piece, I wanted to be intentional in my worship and see what kind of shift in the atmosphere would take place. I wanted there to be unchained freedom and breakthrough for anyone in the room of the painting. Bright, angelic colors were applied to a distressed canvas that has many layers or scripture and text worked into the fibers. In the end, the abstraction almost appears to be a global map, which to me says something about how small my original aim was, in compared to the actual impact I can make.
Whether we are conscious of it or not, each of us is always subject to our surroundings. The seen and the unseen in the atmosphere of a room can dictate our well being. For this piece, I wanted to be intentional in my worship and see what kind of shift in the atmosphere would take place. I wanted there to be unchained freedom and breakthrough for anyone in the room of the painting. Bright, angelic colors were applied to a distressed canvas that has many layers or scripture and text worked into the fibers. In the end, the abstraction almost appears to be a global map, which to me says something about how small my original aim was, in compared to the actual impact I can make.
Whether we are conscious of it or not, each of us is always subject to our surroundings. The seen and the unseen in the atmosphere of a room can dictate our well being. For this piece, I wanted to be intentional in my worship and see what kind of shift in the atmosphere would take place. I wanted there to be unchained freedom and breakthrough for anyone in the room of the painting. Bright, angelic colors were applied to a distressed canvas that has many layers or scripture and text worked into the fibers. In the end, the abstraction almost appears to be a global map, which to me says something about how small my original aim was, in compared to the actual impact I can make.
Whether we are conscious of it or not, each of us is always subject to our surroundings. The seen and the unseen in the atmosphere of a room can dictate our well being. For this piece, I wanted to be intentional in my worship and see what kind of shift in the atmosphere would take place. I wanted there to be unchained freedom and breakthrough for anyone in the room of the painting. Bright, angelic colors were applied to a distressed canvas that has many layers or scripture and text worked into the fibers. In the end, the abstraction almost appears to be a global map, which to me says something about how small my original aim was, in compared to the actual impact I can make.
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VIEW IN MY ROOM

The Atmoshphere Changes Painting

Tyler Guinn

United States

Painting, Acrylic on Canvas

Size: 72 W x 44 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $4,350
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194 Views
4

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About The Artwork

Whether we are conscious of it or not, each of us is always subject to our surroundings. The seen and the unseen in the atmosphere of a room can dictate our well being. For this piece, I wanted to be intentional in my worship and see what kind of shift in the atmosphere would take place. I wanted there to be unchained freedom and breakthrough for anyone in the room of the painting. Bright, angelic colors were applied to a distressed canvas that has many layers or scripture and text worked into the fibers. In the end, the abstraction almost appears to be a global map, which to me says something about how small my original aim was, in compared to the actual impact I can make.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 44 H x 2 D in

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Tyler Guinn is an Austin, Texas based artist and creative director. Guinn's most recognizable work in abstract expressionism is characterized by evocative texture, balanced color fields, and a strong narrative comprised of textual notes and marks. A lifetime Texan - his experiences in small business entrepreneurship and marketing guide an approach to art that is notably empathic to the audience, and abides by cross-medium design principles. His work, often described as“wall sculptures”, reach out to the viewer with an invitation to engage and respond.

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