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Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url;

http://fatalismpaintingmovement.blogspot.com/
Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url;

http://fatalismpaintingmovement.blogspot.com/
Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url;

http://fatalismpaintingmovement.blogspot.com/
Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url;

http://fatalismpaintingmovement.blogspot.com/
Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url;

http://fatalismpaintingmovement.blogspot.com/
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The crow and her pyre Painting

De Yos

United States

Painting, Oil on Canvas

Size: 36 W x 48 H x 2 D in

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$1,657

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About The Artwork

Another work in the " Personal fatalism " series. The crow has assembled her army of innocents. She has sharpened, and honed their skills. Each brandishes a weapon of choice. But, alas, as they storm the horizon, they are late, for the pyre has already claimed their victim. Now the twisted crow sits to admire her handiwork, enveloped proudly in her vanity, donning her dingy greenish, yellowing garter hose, and scuffed stilettos . Her thick white skin is a leathery greenish hue, the two spent matches, still smouldering on the ground behind her. This original work is a thirty six, by forty eight inch, oil on canvas. Housed in a beautiful, ornate, antique golden, wood frame.To know more about my paintings, and the thinking behind them, please go to my blog site. You may copy and paste this url; http://fatalismpaintingmovement.blogspot.com/

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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