VIEW IN MY ROOM
United Kingdom
Painting, Oil on Paper
Size: 32 W x 14 H x 0.4 D in
Ships in a Box
Death of the Bee is a stunning still life and rich in mesmerising detail. It was pieced together from cuttings of an apple tree and a blackberry bush over three months. Many of the elements of the painting came together as it was being painted but from conception, this picture was all about the bee. I didn't having a bee to hand as I began the picture, leaving a small empty space at the bottom right of the painting especially for it. All that summer, whenever I was out walking or riding on my bike, I kept a lookout for dead bees, never finding one. The bottle came to me in the early stages of painting the right hand side. It had been made for use as a cordial bottle and sold on Watergate street in Chester just over a hundred years before. A storm the previous day had torn the bottle loose from whatever resting place to wash up along the banks of the Dee, where it waited to be discovered, still full of air and with the stopper intact. It was the perfect vertical element required by the composition, so in it went. In the final few days of the painting we came out early one morning to find a little bee lying dead on our doorstep, and so here he is.
Painting:Oil on Paper
Original:One-of-a-kind Artwork
Size:32 W x 14 H x 0.4 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Painting crept up on me while I was busy doing other things. Not that I haven’t been drawing and making things as far back as I can recall, I have. It found me early on but seemed to wander off again. Much as I meandered away from my art education, much as I lost all sense of why I became an illustrator. A painting finds me as if stalking something else beyond my view. I’m seized by it and almost always surprised by what it becomes. I rarely employ a formula. Every piece determines the method of its creation and each tends to develop organically, everything in flux until the last moment.
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