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The Fiery Ascension of Elijah the Prophet to the Heaven with scenes from his life, Paternity and selected Saints / original artwork - handmade Icon Painting

Aleksey Kudlay

Russia

Painting, medieval_painting_Icon_outdoor on Wood

Size: 20.9 W x 31.5 H x 1.2 D in

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About The Artwork

↓ ↓ ↓ ▲ PAINTING: Wood, “Kovcheg” (cut-back centre portion), “Levkas” (Gesso), “Pavoloka” ( fabric/piece of cloth), Egg Tempera, Gold Leaf/Gilding HANDMADE ICON The Icons look like a real medieval Russian art, written by old masters of the 16th - 17th – centuries. All my paintings are stylized as antiqued and made in the classic technique of old Masters. ▲ Note: The icons have a number of specific features: cracks (“craquelures”); imitation of loss of the “levkas” and the paint layer. A pattern of minute surface cracks (a network of fine cracks) on painted surface. I developed my own unique technique and technology imitation of craquelure, loss of the “levkas” (gesso) and the paint layer. The crack patterns are artificial (handmade). The craquelure varnish was not used for the stylization! The icons are made to appear aged through the use of artificial methods and various techniques. The majority of the Icons, I have created were painted on aged wood, however, at times I have had to resort to the use of boards created and carved with my own hands, and subsequently aged artificially. In particular, this icon board created and carved with my own hands, and subsequently aged artificially. The “kovcheg” (cut-back centre portion) is deep, with two thin connected cut in the reverse side. All Icons are executed in accordance with the canon, iconographic traditions and iconography technique. The traditional iconography basically imitate rare extant icons of the 16th - 17th – centuries. The icons look old-time (old style/16th - 17th – centuries style) and very similar to the original icons of the 16th - 17th – centuries style. Original painting - Unique (One of a kind) Size: (Height) 31,5” x (Width) 20,9”in (80 x 53cm) Includes Certificate of Authenticity, signed by the artist Ships in a cardboard box. This work will ship flat in a sturdy, well-protected cardboard box. Professionally packaged for delivery. (Highly safe packaging with thick cardboard and bubble wrap to protect it.) All pieces are shipped with insurance and tracker worldwide. This artwork will be an excellent gift and will look authentic in both contemporary and traditional interiors. 
This artwork will bring an appeasement into your house your bedroom or living room. Please understand colors may vary slightly between the actual painting and the image on your screen due to my digital camera’s results and your monitor. The image on the screen doesn't reflect all of the beauty and gold glimmer of the actual painting (the original Icon). You have to see the original. Exhibited in September - October 2017 Moscow (Russia) - The Museum of Russian Icon. Exhibition - "Creating the olden time”. Let me know if you have any questions! I will be happy to answer. Thanks for looking! ☛‼️ ••• Description of the main scene of the Icon ••• In the center of the icon is the figure of Prophet Elijah fed by the raven. Elijah the Prophet is portrayed seated on a stone near the dark cavern against the background of the landscape. The river flow is depicted at his feet, behind his back are high grassy rocky mountains. In his left hand he is holding a thin staff. Fragments of the Prophet Elijah’s life are also depicted in the background. The Appearance of the Angel in the desert, as well as Elijah and Elisha crossing the Jordan on dry land, The Nativity of Elijah, Elijah talks to Elisha, Elijah talks to tsar Ahab and other fragments of the Prophet Elijah’s life. The events of the Prophet’s life are described in the Third and Fourth Books of the Kings. (3 Book 17:1-19; 18; 21: 17-28; 4 Book 1: 3-17; 2: 1-18). A complex multi-figured composition of the icon is set against a hilly landscape, complemented by architectural details. In the left upper corner of the icon is the fiery ascension of Elijah the Prophet. In the right upper corner of the icon is the Paternitas (New Testament Trinity). At the four corners of the icon, on the borders are shown the Our Lady of “Leaping of the Babe”, Our Lady of “Exaction of the Perished People” (“Seeking of the lost”), Holy Virgin of Three Hands and Our Lady of Vladimir. On side borders are the figures of the Saints standing (interceding Saints) in frontal poses. On the left, top-down, are the figures of Archangel Michael, Venerable Sergius of Radonezh and Guardian Angel. On the right, top-down, are the figures of Holy Great Martyr George the Victorious, Saint martyr Anatoliy and Saint Nicholast he Wonderworker. On the lower border of the icon are the half-figures of Saint Grand Prince the Pious Alexander Nevsky dressed in skhimnik clothes (Schemamonk), Most Holy Theotokos “Fire Appearing” (“Fiery Vision” / “Areovindus”) and Reverend Saint Seraphim of Sarov in the medallions. “The fiery ascent of the prophet Elijah” is one of the most popular scenes of prophet’s life. The iconographic plot of the “Ascension of the Prophet Elijah” is based on the biblical text of the IV Book of the Kings, which tells about the last conversation of the Prophet Elijah with his disciple Elisha, his ascension alive (in the flesh) to heaven in a chariot of fire and the transfer of melote to Elisha (outerwear, mantle, cloak) as a symbol of the prophetic gift. According to St. John Chrysostom’s interpretation, Elisha’s acceptance of the miraculous cape is a type of the Eucharist (the most important part of Christian worship is the liturgy, during which the sacrament of communion is performed). The composition of the “Fiery Ascension” is composed in the early Christian period and corresponds with the prototype of “Ascension” and the coming salvation of the human race.

Details & Dimensions

Painting:medieval_painting_Icon_outdoor on Wood

Original:One-of-a-kind Artwork

Size:20.9 W x 31.5 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1951 Moscow, Russia. Alexey haven’t got a formal education in the fine arts but since the early 1970’s he learnt the style of old icon-painter masters. His first icon (wood, canvas, gesso, tempera) was created in 1974. He became a member of the Union of Artists of Russia under the UNESCO International Federation of Artists in 1977 He was honored by being blessed by His Holiness Alexey II the Patriarch of Moscow and all of Russia in January 1995. Since 1996, he was making the icons in a style of late XVIII-XIX century’s masters. But in 1998 he returned to the creation of icons with white background. For this moment he created more than 500 icons, inclusive of over 25 triptych-icons. His icons look old-time and very similar to the original icons of the 16th century. Most works are in private collections in Russia, USA and throughout Europe. His works are placed in Churches, Temples and Monasteries also. The artist-restorer, the member of the Grabar’s Art Conservation Center, Honored Cultured of the Russian Federation, Honored Artist of the Russian Federation, laureate of State prizes, the recognized authotity of the art-restorers world Adolf N. Ovchinnikov says about Alexey's works: “Aleksey Kudlay is the master of popularization of the ancient Russian art who adds his author’s elements there and brings this culture in the everyday life of Russian people.” Another famous restorer, the Chairman of the Collectors’ club of the Russian Cultural Foundation, Honored Cultured of Russia, academician of the Russian Academy of Natural Sciences (RANS), holder of the order of Holy Prince Daniel of Moscow Saveliy V. Yamshikov wrote: “Dear Aleksey, I used to send introductory articles to the previous catalogues of the icons painted by you. I am not in the habit of making a formal reply just for my friends’ pleasure; still then, I could see not only broken concepts in your creative work but sincere effort and purity of spiritual thought in icon painting. I did not accept totally everything that you used to do in your early creative period, but your hankering after the work in this gracious field promised fruitful and mature results.

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