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a wonderful historic square, where the great Constantine had his palace, still such an impressive place where the walls are testimonies of the past.
I really love to paint the places of Istanbul, a city witness to hundreds of years of history.
a wonderful historic square, where the great Constantine had his palace, still such an impressive place where the walls are testimonies of the past.
I really love to paint the places of Istanbul, a city witness to hundreds of years of history.
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The Hippodrome of Constantine, At Meydanı Sultan Ahmet Meydanı Painting

Karl Talip Kara

Turkey

Painting, Oil on Canvas

Size: 47.2 W x 29.1 H x 1.6 D in

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Originally listed for $2,475
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About The Artwork

a wonderful historic square, where the great Constantine had his palace, still such an impressive place where the walls are testimonies of the past. I really love to paint the places of Istanbul, a city witness to hundreds of years of history.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 29.1 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

He was born in 1978 in Brussels. He studied fine arts and applied arts at Saint-Luc institute in Brussels. He went on to study ne arts in Paris, followed by artistic training in China at the Cenral Academy of Fine Arts from 2010 to 2012. He visited 38 different countries. The destinations took him to di erent continents, including countries of North and Central Africa; European countries such as Russia, Ukraine, Azerbaycan, Kazakhstan; and Asian countries such as India and China. His love of Chinese art compelled him to remain in China for almost three years. He simultaneously organised exhibitions in Brussels, Baku, Astana, Beijing, Xinjiang and Istanbul. His immense interest for Su sm, Ottoman calligraphy and İznik Tile Art pushed him to choose Istanbul as a permanent base with a view to enriching his cultural life. He continues his works in Istanbul .

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