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Russia
Painting, Acrylic on Canvas
Size: 19.7 W x 15.7 H x 0.1 D in
Ships in a Box
An original New Year's gift for the 2022th Year of the Tiger for dissenters and provaxers. The painting ironically plays up the conspiracy theory about the reptilians ruling humanity and pandemic as a planned conspiracy of the elites against simple population. After vaccination, tigers become manageable, cease to be predators, eat soybeans and almost never leave their kennels in which they sleep almost all the time. There are QR codes on the booths with all the information about each tiger. “And the second beast required all people small and great, rich and poor, free and slave, to receive a mark on their right hand or on their forehead, 17so that no one could buy or sell unless he had the mark—the name of the beast or the number of its name” (The Revelation of John the Theologian, chapter 13, “The Mark of the Beast”).
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 15.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Russia
MILA ARBUZOVA Mila Arbuzova was born in Saint-Petersburg, Russia in 1973. Having graduated from Saint-Petersburg's University of Humanities and Social Sciences, she worked as a journalist at the different art and cultural magazines. At the same time she began her own artist's experiments. Mila Arbuzova spent her childhood in the downtown of Saint Petersburg. Her family lived in a block of flats in Grazhdanskaya Street where, according to Dostoevsky's famous novel "Crime and Punishment", the old female moneylender killed by Rodion Raskolnikov used to live. In Soviet times guides often showed foreigners the place where the legendary murder occurred. Maybe this location of the native house made an influence on the future artist. The art work of Mila Arbuzova is essentially "Saint-Petersburg's": lyrical, strict, sometimes - tragicomocal, philosophical, serious and absurdist in the same moment. It includes a wide range of subjects: the sarcastic sketches in the spirit of "social art" as well as the magical  fantastic pictures together with free compositions combining parts of realistic images in a surrealistic manner. Contemporary Russian Art despite its visual diversity tends to simplify so that its painting mainstream is becoming more and more schematic and conditional due to both accelerated tempo of modern life along with its formalization and current art market conjuncture. In contrast to this tendency works of other Russian artists tend to re-establish classical painting culture as independent elitist art form which can be appreciated only by the narrow circle of fans and art hedonists of special kind. Mila Arbuzova's paintings combine the realistic painting's techniques (including attention to details, subtle color nuances, harmonious composition solutions) with actual social issues, absurd sense of humor and lyricism. All these features traditionally characterize art of St. Petersburg. In her paintings the principles of both figurative and abstract art are incarnated. Abstraction, however, does not play a merely decorative role: you can be sure that it is integrated into the plot. All Arbuzova's work deal with a few major themes: politics, beach, portrait, sport and dance. Also Mila Arbuzova is an author and inspirer of the international women's art project "BIOWOMAN".
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