VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 30 W x 40 H x 2 D in
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The subject in this painting is my great-grandfather, a french fisherman who lived on the south shore of Cape Breton Island. The family were originally from St Malo, France, where a long history of the Briand family were born and raised. My great-grandfather was an exceptionally tall man, often having to duck when entering door ways. This painting is my impression of him entering his house by the back door which led to the kitchen. Anyone familiar with Nova Scotia Canada, will know that the Maritime provinces are known for having 'kitchen parties', where friends and family gather for a few laughs and a drink or two. The love of neighbours and tight knit communities were the things that kept many families going through the hard times.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 40 H x 2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My painting practice has been split into two distinctly different processes: Firstly, traditional painting on canvas displayed on the wall; and secondly, the creation of hybrid painting which focuses on process and the materiality of acrylic/latex paint. The latter uses steel mesh rather than canvas and is formed into large scale 3-d floor paintings. The former process, traditional painting on canvas, is my current practice. My current research involves collecting personal interviews from friends and family about their memories of childhood, coupled with tangible materials such as photographs, postcards, letters, diaries, maps, vintage objects etc. My research is then collated to construct a contextual framework, a narrative that will become a series of painted works. The work is testimony to preservation and/or deterioration of memory through time, the impact of trauma, and the surrounding environment. My research has revealed a drastic polarity between my own memories of a past event, and that of others who experienced the same event. This series of figurative paintings, which is still work in progress, infers a state of suspension; a presence that is captured within a memory, or the perception of what that memory was. My first series of paintings called Quell 1 and Quell 2, demonstrates the beginning of my exploration into the theme of memory, and the compositional challenges that are presented to me as a contemporary painter.
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