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In her works, Sarah Daria Muscalu paints workers, who trace the foundation of a construction site. The workers, with white engineer helmets, draw constructivist structures, transmute grids, prepare for the painting of walls. Apparently, industrious engineers work on a site, but putting ourselves into their world through a mental experiment, backed up by their visual representation, we realize that they are de facto engaged in making post-constructivist abstract paintings. Sarah no longer works directly on the canvas, but simulates a population of small oleo-political figurines performing in the operative theatre of the canvas.
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The Paradox of The White Work VIII Painting

Sarah Muscalu

Romania

Painting, Oil on Canvas

Size: 23.6 W x 31.5 H x 1.2 D in

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About The Artwork

In her works, Sarah Daria Muscalu paints workers, who trace the foundation of a construction site. The workers, with white engineer helmets, draw constructivist structures, transmute grids, prepare for the painting of walls. Apparently, industrious engineers work on a site, but putting ourselves into their world through a mental experiment, backed up by their visual representation, we realize that they are de facto engaged in making post-constructivist abstract paintings. Sarah no longer works directly on the canvas, but simulates a population of small oleo-political figurines performing in the operative theatre of the canvas.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 31.5 H x 1.2 D in

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Sarah Muscalu (1994) is an artist with a practice engaged in a post-medial discourse, one of the main interests of her artistic research being the post-socialist and post-industrial condition of the Eastern Europe from a critical and discursive point of view. Sarah has a PhD in Visual Arts at the Faculty of Visual Arts and Design, "George Enescu" National University of Arts in Iași, Romania.

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