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My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.
My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.
My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.
My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.
My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.
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The sea shore Painting

Lusie Schellenberg

Switzerland

Painting, Oil on Canvas

Size: 19.7 W x 15.7 H x 0.4 D in

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About The Artwork

My work here is the single copy and original handwork, free copy from I. Aivazovsky. A way to pay tribute to the Russian master I.V. Aivazovsky (1817-1900) who wrote the sea. I tried here to create a more modern version with realistic details. O[l. It is made on special high quality 100 % cotton canvas, stretcher stable pine wood. 1 cm Blau edge-great for versatile framing, gloss finish. This work is the very first of the cycle a free copy of Aivazovsky. The painting is painted in oil, in 3 stages. I write in such a way that the picture will remain in good shape even after a century. It's a long process-but the quality is above all. I took a different mixture of colors and a different mood that I wanted to portray in the picture. It's freshness before the storm, waiting for a man on the shore a different mood of the sea and waves, an atmosphere of serenity and damp wind. why I paint the sea - I'm afraid of depth and a lot of water. The pictures that I paint are like overcoming my fear of the elements of the sea. And the sea is different, with different moods and states. My work with the theme of the sea is also a message to people like me. Finer day... On the sea ripples... in the sun we squint slyly. You can swim, sunbathe, But no more! Good God, I Can't believe this quiet, What blissfully surrounds us, A storm will break-in. Standing in the sand And the sun in the clouds runs away But I'm an inexperienced player, I rarely go to the sea... It is not a stone flower, It's alive! Like a branch, the Wave sways... And suddenly, Cold wind, the sun has disappeared, The Sound Is only the sea ... suddenly it speaks ... I am a man-a grain of sand in the sea ... Nature is still stronger than us! Brings us joy and sorrow ... I thought about it now.

Details & Dimensions

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 15.7 H x 0.4 D in

Number of Panels:2

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« In my works, I want to capture the beauty, being, and meaning of all things in any of their manifestations. » Lusie Schellenberg is an award-winning professional artist based in Switzerland, whose paintings have been exhibited nationally, as well as in Germany, Austria, USA , Italy , France, Spain ,Netherlands , Russia etc. The main genres of painting are seascapes, urban landscapes, people and still lifes. The author works mainly in the technique of multi-layered oil painting, observing the historically established technologies of writing, which contributes to the long-term preservation of the original quality of the painting layer. The same traditional approach to painting has been transferred to works with a modern sound. She uses various techniques, such as multi-layered painting, realism, expressionism, modern impressionism in combination with a palette knife, author’s technique.. Her characteristic landscapes, seascapes, cityscapes, still lifes and figurative works are created in oil and acrylic on canvas.In his works, the author does not resort to limited stylistics: they can be structured on the verge of abstraction or acquire genre coloring, turning into stories from life. She describes her artistic expression as a reflection of reality as it really is. With her art, Lusie Schellenberg strives to «preserve the pristine beauty of existence”» Her works were presented at the MAMAG Museum of Modern Art and in the Louvre. She is one of the few artists who have been published in TATLER UK magazine,House & Garden Magazine UK, Spotlight ContemporaryArt Magazine.

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