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The Stones Painting

Corinna Richenda Boughton

Spain

Painting, Oil on Canvas

Size: 90.6 W x 59.1 H x 2.8 D in

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ABOUT THE ARTWORK

This large oil painting is one of a series submitted for the Bachelor of Arts degree exhibition, and has since been exhibited at the University of Hertfordshire on a number of exhibitions of graduates works. 'Throwing Stones' (the original title) made reference to one of the method of communication between native american tribes (now referred to as First Nation). I used mixed media, acrylic and oil paint, with resin on guesso on canvas to make this large painting 230cm x 162cm/90 5/16in x 63 5/8in In the early 70s I worked in a children's home in Vancouverand and then came into contact with the children of the 'First Nation'. Because of my involvement with them I was drawn to study their cultural history. The stones were one means of communication. My research for my degree led to the following: ‘... inscribing diagrams of social relationship on the skins of animals implies totemic ideas: in other words, identification of the social group with the animal upon whose skin it is projected...Totemism... …The spinal column of the human figure thus takes on a special symbolical significance as a line of division between the social conditions united in the body…’ Schuster and Carpenter: 1996, Patterns that connect, social symbolism in ancient and tribal art. Harry Adams Inc, New York, USA p173-4

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

90.6 W x 59.1 H x 2.8 D in

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After a career in London I went to the University of Hertfordshire as a full time student BA(Hons) Degree in Fine Art. The large painting, 'Present Tense Ronda', from the Degree Show is now exhibited in the University's Fine Art Department, and the large painting 'Diner Party', from the same Degree Show, assisted in my application in taking up full time study for the Masters Degree in Fine Art Practice at Central Saint Martins, London. I worked in a studio in Hackney, London, and became involved in a number of art projects including the development of an original Victorian area of Kings Cross in London. At the UH I studied print making use of silk screen and photo-etching techniques in my paintings. The paintings "Breaking Boundaries", "OldWorld/NewWorld", "The Labyrinth" and "Marks in the Sand", document my experience of working in a childrens' home in Vancouver in the 1970s where most of the children were of the First Nation.

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