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Painting domes is a good challenge - the graduation from light to shade has to be just right, and I think it works well in this picture. The reflection of the building in the water is also important in the composition, its softly merging colours contrasting with the sharply defined edges and details of the building itself. The inclusion of visitors walking around adds notes of vibrant colour and life, while the procession of trees draws the the eye towards the building. Painted on ARCHES, 300g, rough watercolour paper (which has a textured surface finish) with Winsor & Newton paints. Unframed, unmounted. Painted to the edge of the paper. If you want the painting to really stand out then paying a professional framer will give you best results. But if you look in your art supplies shop you can find the materials to create your own mount and frame.
Painting domes is a good challenge - the graduation from light to shade has to be just right, and I think it works well in this picture. The reflection of the building in the water is also important in the composition, its softly merging colours contrasting with the sharply defined edges and details of the building itself. The inclusion of visitors walking around adds notes of vibrant colour and life, while the procession of trees draws the the eye towards the building. Painted on ARCHES, 300g, rough watercolour paper (which has a textured surface finish) with Winsor & Newton paints. Unframed, unmounted. Painted to the edge of the paper. If you want the painting to really stand out then paying a professional framer will give you best results. But if you look in your art supplies shop you can find the materials to create your own mount and frame.
Painting domes is a good challenge - the graduation from light to shade has to be just right, and I think it works well in this picture. The reflection of the building in the water is also important in the composition, its softly merging colours contrasting with the sharply defined edges and details of the building itself. The inclusion of visitors walking around adds notes of vibrant colour and life, while the procession of trees draws the the eye towards the building. Painted on ARCHES, 300g, rough watercolour paper (which has a textured surface finish) with Winsor & Newton paints. Unframed, unmounted. Painted to the edge of the paper. If you want the painting to really stand out then paying a professional framer will give you best results. But if you look in your art supplies shop you can find the materials to create your own mount and frame.
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The Taj Mahal Painting

James Shand

France

Painting, Watercolor on Paper

Size: 12 W x 9 H x 0.1 D in

Ships in a Box

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SOLD
Originally listed for $338
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About The Artwork

Painting domes is a good challenge - the graduation from light to shade has to be just right, and I think it works well in this picture. The reflection of the building in the water is also important in the composition, its softly merging colours contrasting with the sharply defined edges and details of the building itself. The inclusion of visitors walking around adds notes of vibrant colour and life, while the procession of trees draws the the eye towards the building. Painted on ARCHES, 300g, rough watercolour paper (which has a textured surface finish) with Winsor & Newton paints. Unframed, unmounted. Painted to the edge of the paper. If you want the painting to really stand out then paying a professional framer will give you best results. But if you look in your art supplies shop you can find the materials to create your own mount and frame.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:12 W x 9 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born and brought up amid the more muted tones of London, I now live in Vence in the south of France, enjoying its famously vivid light. I am a watercolourist, inspired by travel and the glories of the natural world. My work is figurative and depends on careful observation and choice of colours. My works are owned by private collectors in the USA and Europe.

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