VIEW IN MY ROOM
Chile
Painting, Oil on Canvas
Size: 55.1 W x 27.6 H x 1.6 D in
Ships in a Tube
One legend recounts that in the late eighteenth century in ConcepciĆ³n lived three sisters, who were known as the three Pascualas. One day, a foreign man come to their house and rent a room. The man fell in love with the three girls and each secretly corresponded his love. However, he did not know which of the three pick, so he told them to meet him in the lagoon on the night of San Juan. He waited sitting in a boat and at midnight he saw the the girls silver reflection in the water, and desperate began to shout: Pascuala ... Pascuala... Pascuala! The three believed to be the chosen one, so the entered in to the lake and drowned. Since then, it says that on the night of San Juan, in the lagoon a boat appears and an anguished voice starts calling for the girls.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:55.1 W x 27.6 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Artās packaging guidelines.
Ships From:Chile.
Customs:Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.
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Painter and goldsmith born in Chile, graduated from Fine Arts. I have always felt attracted by images and the idea that everything can be created from their compilation. From this impression and from the recycling of images, I started painting different scenes, fictional scenarios, colourful and provocative, with the intention to trigger spectators to build a personal and creative process under their own experience in relationship to my work. According to this, my proposal follows an appropriationist line, in which the creation process is conceived from a rich mixture of languages. Once images are decontextualized, a digital procedure is applied in order to assemble them in a pictorial collage. The appropriationism and the extraction of the authorship give life to new and original images, implying an outcome that goes from the reflection of the art to a visual pleasure. This, of course, modifies the sense given by the original authors. The intention behind this is to transmit a new kind of plastic and conceptual experience, obtained from the world of publicity, history of art, and literature. The result obtained from the visual discourse is articulated from a variety of little fragments that come from the intervened mass-media, mostly with a digital nature, delivering as a final outcome the resemantization of the artistic work.
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