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Romania
Painting, Acrylic on Canvas
Size: 47.2 W x 47.2 H x 1.6 D in
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1. In the painting entitled "The Three Temptations of Jesus," I chose to explore the symbols and emotions related to the crucial, key moments of temptations in the life of Jesus Christ, namely, the Temptation of Bread, the Temptation in the Temple, and the Temptation of Heights and Riches. Through abstract expressionism, the painting abandons detailed representation and instead provides a visually rich experience rich in symbols and sensations. 2. From a philosophical perspective, these temptations offer profound material for reflection on ethics, freedom, power, and the relationship between man and divinity, contributing to the complex understanding of human nature and moral choices in life.The forms and colors in the painting merge into a vibrant dance, suggesting the struggle and challenges Jesus faced during the three temptations. The lack of concrete details gives viewers the freedom to interpret each element based on their own experience and perception. Thus, each viewer can find a personal connection to the story of Jesus' temptations and the spiritual meanings associated with them. The painting becomes an invitation to reflect and contemplate on the deep and complex aspects of human and spiritual experience. Through abstraction, the artist highlights the essential aspects of this biblical story, encouraging viewers to explore and discover the hidden meanings of each detail.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:47.2 W x 47.2 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
For me, painting is a kind of alchemy through which I attempt to transform colors, matter, thoughts, feelings, and emotions into images, radiographs of my memory and soul. In terms of technique, the painting I create at the moment, although it can be categorized within the realm of gestural art and abstract expressionism, is not driven by spontaneity, primary creative impulses, or chance. Undoubtedly, these elements define to some extent the majority of my works, but they emerge in the middle and final stages of painting as adjustments or deliberate interventions, carefully passed through the filter and analysis of self-evaluation and requirements more cerebral, analytical rather than spontaneous and accidental. I say this because in my works, I start with a predetermined composition and a plan for the stages of creation and the steps to be taken. The gestural aspect of my painting is merely the result of the chosen visual language, the technique of rendering, and representation. Thus, elements of visual language based on gesturalism, chance, and accident are not foundational to the conceptual and compositional aspects of the work; they are elements that only contribute color, form, and dynamics.
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