VIEW IN MY ROOM
Germany
Painting, Oil on Canvas
Size: 15.7 W x 15.7 H x 0.8 D in
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In the series "The daily sky" I deal with the sky that accompanies us every day. It is always there, has always been there, will always be there. We hardly notice it, unless we look up and gaze at it. It is a place of longing, an occasion for fantasies and profound questions such as: how far does the sky reach? Or when does the universe begin? The colour palette of the sky includes almost all colour spectra and - should clouds appear in the sky - an unimaginable number of shapes. In the pictures, I would like to give the viewer the opportunity to discover the daily sky as a feeling of security and confidence. I highly recommend having the pictures framed.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 15.7 H x 0.8 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
My art is an expression of my inner imagery, which I achieve through calm and clarity. I am not fixed on a style, because the new always arises from the previously experienced and thus results in a perpetual process. Therefore, all series coexist on an equal footing. I am interested in the "in between". Energies that we can't really comprehend or see, but whose existence we sense. Like invisible connections between people or things around us, like our nature. During the painting process I am in a state of extreme concentration on the essential, on the "now". Nothing flows in, which is unimportant at this moment. The pictures are like cutouts that reach to the edge of the picture and can be continued there by the viewer. It is about a point of contact from which the viewer enters his own interpretive space. When my pictorial worlds merge with those of the viewer, then we come into contact with each other, then the picture lives on in the viewer.
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