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Painting, Acrylic on Wood
Size: 15 W x 10.6 H x 1 D in
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$430
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106 Views
15
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ABOUT THE ARTWORK
From the series "Theogony" An abstract vision of one of the forges of Hephaestus, an ancient greek entity also knew as Vulcan in the roman mythology. As the god of fire, Hephaestus became the heavenly metallurgist and patron of metal workers. It was believed that fires emitted from volcanoes marked the position of his several forges. Collage, acrylic and oil on a burned plywood board, formely used as a matrix for woodprint. From the series "Theogony" An abstract vision of one of the forges of Hephaestus, an ancient greek entity also knew as Vulcan in the roman mythology. As the god of fire, Hephaestus became the heavenly metallurgist and patron of metal workers. It was believed that fires emitted from volcanoes marked the position of his several forges. Collage, acrylic and oil on a burned plywood board, formely used as a matrix for woodprint. Fixed on a wood panel, edges painted black and ready to hang.
Original Created:
2020
Subjects:
Materials:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Wood
Original:
One-of-a-kind Artwork
Size:
15 W x 10.6 H x 1 D in
Frame:
Brown
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
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Ships From:
Brazil.
Customs:
Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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What directed towards his work is a game of contrasts and physicality between overlap and transparency, seeking to hide and reveal in equal measures. This stratification process aims to show the corporeality of the two-dimensional work, highlighting each error and new direction taken, in order to remind us of the painting process. What drives his research is the curiosity to find the beauty hidden in everyday life, in the supports and pictorial material, and bring it to the surface, so that the viewer questions and appreciates aspects for which he, normally, would not give importance. His research and production are strongly influenced by Tachismo and Arte Povera, by the reuse and recycling of materials, ideas and concepts. Often, when using his own older works, reconstructing and making new collages from them, he is recycling both the physical item and the concepts behind these works. Began his artistic research in the Atelier of Painting of the Museum Alfredo Andersen, under the direction of Ronald Yves Simon, also attended workshops in painting, printmaking and photography . Participates, since 1999, of Salons of Art and Exhibitions Collectives and Individuals, being awarded six times.
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