17 Views
2
View In My Room
Painting, Oil on Concrete
Size: 31 W x 40 H x 2 D in
Ships in a Box
17 Views
2
Artist featured in a collection
“The place between now and then” bears many paintings within her, all remaining, until I met her final form. She had a set intention that was destined to be something else entirely. There is healing in the act of letting go of control. A process of confronting expectations and asking the universe sincerely to blindly guide your journey. The space where you experience an absence of rumination over the past or future. The space where you celebrate the choice to let go; center, ground, and immerse in the present moment. The only moment existing is now. Greeting insecurity with kindness is at the center of my creative process. Each piece starts as a journey to acceptance of flaws, and an exercise to gain confidence towards disregarding the opinion of others. "The place in between now and then" is a genuine illustration of my internal tug-of-war between staying present and slipping into rumination. A fine shaky line, held together by a few threads. After years of hard work to practice awareness, I now have a front-row seat to observe myself slipping away into a loop of negative thoughts. Identifying the loop slows it down. This work encapsulates fleeting thoughts of self-doubt, felt and processed, leading back to a state of awareness. Our very human fight keeps us on a path of growth and change. My old internal script was challenged by an outline detailing situations that created those false core beliefs. The situations that started the loop vs. new skills to stop it in its tracks. Embarking on a new path guiding me away from fear and carrying me to an open door grounding me to the present moment.
2023
Oil on Concrete
One-of-a-kind Artwork
31 W x 40 H x 2 D in
Other
Yes
Ships in a Box
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Taylor (b.1994) and Connor Robinson (b.1992) are artists creating sculptural mixed media artwork using the moniker visceral home. Their works interpret the human psyche — for trauma and healing, the passage of time, and the relationship between humans and the natural world. Over the few years, they’ve honed in on a practice where the married partners collaborate: Connor creates handmade frames and surfaces on which Taylor paints abstract images. Their art is a kinship of two individual processes and personal meditative techniques that ultimately combine to achieve one thoughtfully balanced vision. The complexities of coping with cPTSD and substance use disorder are threaded throughout their works, revealing a timeline of visceral indentations of the emotional journey of healing. They create artwork to cope with the fear of uncertainty. From these monumental moments, a catalog of collections was born, channeling and transforming various emotions into something useful. With time, they let go of situations and relationships that held them hostage, releasing and transmuting that pain as a new creative avenue toward feeling understood, relieved, and valuable. An abstract expression of the heavy moments that would drown them if there was no cup to pour in. A celebration of the moments of joy and triumph. Their art is a tactile alternative to self-destruction. It is self-preservation. Pouring themselves into creating something that can translate that emotion into a tangible experience that can be visualized and felt viscerally is what they dream of as the ultimate solution to the condition of being human.
Artist featured by Saatchi Art in a collection
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