VIEW IN MY ROOM
Russia
Painting, Oil on Canvas
Size: 43.3 W x 29.5 H x 2 D in
Ships in a Box
Three disadvantages of the vessel (From the instructions of Geshe Rinchen Tenzin Rinpoche) When we are engaged in spiritual practice, some things in our behavior should be rejected. These include the three disadvantages of the vessel of the mind: an inverted vessel, a leaky vessel, and a dirty vessel. What is an inverted vessel? Take a pot and put it upside down. Now, no matter how much we try to pour water into it, we can't do it. In the same way, if the teacher tells us something, but we do not perceive it at all, it is like our vessel is turned upside down. In order to get rid of this lack, we need to listen carefully to what the teacher says, try to understand it and connect it with our own consciousness. If we can understand what the teacher is saying, that's great, if we can't, then we have to listen again and again, ask the teacher questions to understand something. The next disadvantage of the vessel is a leaky vessel. Even if we pour something into a leaky vessel, it won't stay there for long. For example, we are sitting here now, trying to remember something, to learn something, but if in a few days or months we stop making efforts to preserve this knowledge, if it completely disappears from our heads, then this is called a lack of a leaky vessel. It is like the food from a leaky vessel falling to the ground and not doing any good. To avoid this lack, we need to repeat what we have heard and learned over and over again. The third disadvantage of the vessel is a dirty vessel. Sometimes it is also called poisoned. This is similar to the fact that we have poison in a vessel, and although we can cook food in such a vessel and it will not pour out anywhere, if we eat this food, we will be poisoned. In practice, this means combining teaching and practice with a negative motivation (to become famous, respected, rich, etc.) or with pride. What should I do to avoid this disadvantage? One should reflect on samsara, strive to get rid of it, and develop the right, good motivation to bring good to all living beings. And if we feel that we are beginning to develop arrogance, we need to focus more on our shortcomings rather than on our strengths. If we start to study our shortcomings, then pride disappears quite quickly.
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:43.3 W x 29.5 H x 2 D in
Number of Panels:2
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Vyacheslav was born in 1966 in Gorky. It has been exhibited since 1989. Participant of exhibitions in Russia, France, Germany, Ukraine and the USA. Vyacheslav Golovchenko is a philosopher: in every, even ordinary motive, he sees a reflection of the universal, immutable laws of the universe. So, in the element of the destroyed piano, Vyacheslav saw the music of the Universe, the connection of the Pythagorean theory; in the plane - the creation of the World, the divine idea. He is also attentive to the artistic space: this is evidenced by the element of assemblage and collage, the heterogeneity of materials. The highest point of studying the art space is the creation of the sculpture "Mower" based on the work of Malevich. For Vyacheslav, it is very important to imagine in three-dimensional version the space and the world that the artists of the First Russian avant-Garde created: Kandinsky, Larionov, Malevich and others. A space that has a fundamentally different atmosphere of living. Elizaveta Syrganova Painting, painting, painting this is what, according to the artist, is the universal language that does not require any translation and which is able to express to its full extent something that's located beyond the access of the word. V. Golovchenko refers to 1985 as the beginning of his mature devotion to painting. Since that time his manner underwent major changes: from traditional applied art to experiments with expressively accentuated activation of color to minimalization of the applied means. Such a wide ranging search was spurred by the desire to embrace a lot, namely it allowed the artist to realize the boundless expressive opportunities of painting and the fruitfulness of playing with them. Having survived the shock of the discoveries he came to a specifiic state of sensitive interaction with the color, to the specific listening to the most delicate vibrations of its shades nearing the freedom of associations typical rather for music. And the plastics of his works, their rhythmic structure, often resemble the life of musical pieces. The main theme of V. Golovchenko's works is the human being as a fascinating phenomenon whose inner world is so universal that it can be compared only with nature. Staring at the image of a human being the artist follows up the life of a glance, gesture, expression as manifestation of the endless "apochriphic dialogue" with the Universe, and he sensibly feels it.
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