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Time Warp Series #3 ‘Let’s Do the Time Warp Again’ Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 72 H x 1.5 D in

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RiffRaff: It's astounding; Time is fleeting; Madness takes its toll. But listen closely... Magenta: Not for very much longer. RiffRaff: I've got to keep control. I remember doing the time-warp Drinking those moments when The Blackness would hit me Magenta: And the void would be calling... Transylvanians: Let's do the time-warp again. Let's do the time-warp again. Narrator: It's just a jump to the left. All: And then a step to the right. Narrator: Put your hands on your hips. All: You bring your knees in tight. But it's the pelvic thrust That really drives you insane. Let's do the time-warp again. Let's do the time-warp again. Magenta: It's so dreamy, oh fantasy free me. So you can't see me, no, not at all. In another dimension, with voyeuristic intention, Well secluded, I see all. RiffRaff: With a bit of a mind flip Magenta: You're into the time slip. RiffRaff: And nothing can ever be the same. Magenta: You're spaced out on sensation. RiffRaff: Like you're under sedation. All: Let's do the time-warp again. Let's do the time-warp again. Columbia: Well I was walking down the street just a-having a think When a snake of a guy gave me an evil wink. He shook-a me up, he took me by surprise. He had a pickup truck, and the devil's eyes. He stared at me and I felt a change. Time meant nothing, never would again. All: Let's do the time-warp again. Let's do the time-warp again. Narrator: It's just a jump to the left. All: And then a step to the right. Narrator: Put your hands on your hips. All: You bring your knees in tight. But it's the pelvic thrust That really drives you insane. Let's do the time-warp again. Let's do the time-warp again. ‘Time Warp’ by Richard O’Brien / Patricia Quinn / Nell Campbell / Charles Grey Songwriters: Richard O’Brien & Richard Hartley "Time Warp" is a song featured in the 1973 rock musical The Rocky Horror Show, its 1975 film adaptation The Rocky Horror Picture Show, and a 2016 TV production. The name is also used for the dance performed during the chorus of the song. The song is both an example and a parody of the dance song genre, with much of the lyrics consisting of dance step instructions. This dance is one of the major audience-participation activities during screenings of the film and performances of the show.[1] It has become a popular song beyond the reaches of the film and show, and is often played at dances and weddings. The song is in the key of A major. 
 Placement: "Time Warp" was the fifth song in the original stage show (after "Science Fiction/Double Feature", "Dammit Janet", "Over at the Frankenstein Place" and "Sweet Transvestite"), but fourth in the film (following "Over at the Frankenstein Place" and preceding "Sweet Transvestite"). Stage productions continued to use the original placing until Richard O'Brien revised the script for the 1990 West End revival in which he moved the song to the film's placing. For reasons of pacing, most productions now follow this order. The song begins at 19:35 in the film's DVD release. It consists of verses sung by alternating characters, serving as the introduction to two of them, and choruses sung by the "Transylvanians" (film) or "Phantoms" (play), and the Criminologist/Narrator (played by Charles Gray in the film). The characters that sing the verses are, in order, Riff-Raff, Magenta, and Columbia (played in the film by Richard O'Brien, Patricia Quinn, and Little Nell Campbell). After the second full chorus, Columbia often launches into her tap dance. The order of the solos varies in certain recordings. In the film and Roxy cast album, Columbia's solo is right after Magenta's, with Columbia's tap dance following the second chorus. Recent stage performances have the solos in this order but with Columbia's tap dance immediately after her solo, leaving only two choruses. Occasionally, Columbia's solo and tap dance follow the chorus after Magenta's solo. Meat Loaf's voice is prominent in the chorus of the film version of the song. The song is reprised briefly at the end of the film, in flashback, and in the show as an encore led by Dr. Frank N. Furter. 
 
 The Rocky Horror Show is a musical with music, lyrics and book by Richard O'Brien. A humorous tribute to the science fiction and horror B moviesof the 1930s through to the early 1960s, the musical tells the story of a newly engaged couple getting caught in a storm and coming to the home of a mad transvestite scientist, Dr Frank-N-Furter, unveiling his new creation, a sort of Frankenstein-style monster in the form of an artificially made, fully grown, physically perfect muscle man named Rocky, complete "with blond hair and a tan". The show was produced and directed by Jim Sharman. The original London production of the musical premiered at the Royal Court Theatre(Upstairs) on 19 June 1973 (after two previews on 16 and 18 June 1973). It later moved to several other locations in London and closed on 13 September 1980. The show ran for a total of 2,960 performances and won the 1973 Evening Standard Theatre Award for Best Musical. Songs in the musical include "Time Warp" (co-written by O'Brien and Richard Hartley), while the costumes were designed by Sue Blane. Its 1974 debut in the US in Los Angeles had a successful nine-month run, but its 1975 Broadway debut at the Belasco Theatre lasted only three previews and forty-five showings, despite earning one Tony nomination and three Drama Desk nominations. Various international productions have since spanned across six continents as well as West End and Broadway revivals and eight UK tours. Actor Tim Curry, who originated the role of Dr. Frank-N-Furter in the original London production, became particularly associated with the musical. The musical was adapted into the 1975 film The Rocky Horror Picture Show, starring O'Brien as Riff Raff, with Curry also reprising his role; the film has the longest-running release in film history. In 2016, it was adapted into the television film The Rocky Horror Picture Show: Let's Do the Time Warp Again. The musical was ranked eighth in a BBC Radio 2 listener poll of the "Nation's Number One Essential Musicals". The Rocky Horror Show was one of eight UK musicals featured on Royal Mail stamps, issued in February 2011. Beyond its cult status, The Rocky Horror Show is also widely said to have been an influence on countercultural and sexual liberation movements that followed on from the 1960s. It was one of the first popular musicals to depict fluid sexuality during a time of division between generations and a lack of sexual difference acceptance. 
 
 The Rocky Horror Picture Show is a 1975 musical comedy horror film by 20th Century Fox, produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a parody tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatreproductions including Nell Campbell and Patricia Quinn. The story centres on a young engaged couple whose car breaks down in the rain near a castle where they seek a telephone to call for help. The castle or country home is occupied by strangers in elaborate costumes celebrating an annual convention. They discover the head of the house is Dr. Frank N. Furter, an apparently mad scientist who actually is an alien transvestite who creates a living muscle man named Rocky in his laboratory. The couple are seduced separately by the mad scientist and eventually released by the servants who take control. The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane has claimed that her creations for the film directly affected the development of punk rock fashion trends such as torn fishnet stockings and colorfully-dyed hair. Initial reception was extremely negative, but it soon became known as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume at the King's Court Theater in Pittsburgh began performing alongside the film. This "shadow cast" mimed the actions on screen above and behind them, while lip-syncing their character's lines. Still in limited release 46 years after its premiere, it is the longest-running theatrical release in film history. In many cities live amateur shadow-casts act out the film as it is being shown and heavily draw upon a tradition of audience participation. The film is most often shown close to Halloween. Today, the film has a large international cult following and has been considered by many as one of the greatest musical films of all time. In 2005, it was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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