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Tom Thumb Painting

Daniel DERDERIAN

France

Painting, Oil on Canvas

Size: 9.4 W x 11.8 H x 1.2 D in

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$790

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About The Artwork

Linen took me into the rough world of fairy tales. The name was chosen by free associations of an old child with an overflowing fantasy. The principle of 'Tom Thumb' is that the smallest and smartest wins. What inspires us in our search for identity is often hidden behind our big ego that we preserve at all costs to function through our social image. The giant in Tom Thumb's story represents this ego. Tom Thumb defeats the giant and returns home with plenty of acquired riches. At first glance, you might see an old child sticking out his tongue or sucking a finger. In more abstract reading, something comes out of the mouth, a desire to express oneself. The dark parts give the impression of looking into the chaotic interior of a head. This image refers to the vulnerability of childhood in need of adult references. The child in need calls on his own strength and builds his world of compensations, he preserves 'a pure place of his own', which often becomes a source of creativity.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:9.4 W x 11.8 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Daniel Derderian was born in Marseille, lives and work between Paris and Ghent in Belgium. With tender anger, Daniel Derderian deconstructs images in search of coherence between the social image and the particular sensation of being an individual. He seeks to unleash the strength and vulnerability that animates us by going back and forth between the surface and the bottom. He composes singular portraits representing the confusion and vanity of the human condition. Exploring the torsions of our souls, he highlights our particularities, our otherness, driven by a naïve desire to create a colourful, exciting world of diversity. His work is a eminent cry for love from a safe space behind the mirror. As a former classical dancer and performer in the entertainment world, he worked a lot on appearance and dynamics. By deconstructing formatted and idealized images, he looks for more intimate and visceral sensations including lack and desire. Daniel works in a hurry, torn between the moral brake of an adult and the unlimited fantasy of a wild child. He wants to preserve something unfinished in his work, completion would be the end of a dynamic. His subjects present themselves in an intimate moment with their strength, their vulnerability, their anguish, their fantasies, as hybrid creatures in a world between dream and reality. Confused between appearing and being, between different realities, he explores the boundaries between figuration and abstraction. He proceeds by first setting up a solid outline with pencil, felt, brush, he continues then with knife, rag, finger, white spirit to add decoration or erase, sometimes until destruction. Finally, beyond the realization, he looks for a simple connection, the beginning of a little story that comes out of the unsaid, a calming. Each work is framed in the same way, like a corset.

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