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Tslagi, the Medicine Dance of Life, is an ancient and sacred Cherokee movement of meditation for balance, alignment, and prayer. The essence of this movement is to honor, share, and integrate the spiritual gifts and qualities of the Four Directions as well as Father Sky and Mother Earth. 
The dance begins facing East, the direction of the far-seeing eagle (intuition, psychic abilities, and the patterns within people) making a large, wide circular motion as if making a circle of protection around the Earth. Motion stops with palms down, releasing that blessing into the earth. The dancer steps back with the left foot and left arm (as if a bird's wing), followed by the right foot and right arm.  Reaching down in front with both hands gathers Mother Earth's energy, pulls it straight up, through the body, and reaches toward the sky giving away the Earth's Energy to Father Sky.  The dancer then gathers the Creative Sky energy and pulls it down through the body and, with palms down, gives it away to the Earth. The movement is repeated on the left side. 
Palms up offering the Earth's Energy to Father Sky, palms down offering Father Sky's Energy to Mother Earth. Once the body is balanced, the feminine left side and the masculine right side are each ready to lead. The dancer gathers the energy of the East, the light of the morning sun, and the far-seeing eagle and pulls it through their heart as if drawing the string of a bow while rotating toward the West.  
The right-hand reaches into the West (the place of introspection, dreams, reflection on life, and the day you have just lived). Pulling the Western energy through the body and again giving it away to the Earth. Next, the dancer faces the South and repeats the basic movements. The South is the place of trust and the innocence of childhood.  The color is green, that of new life in plants.  Again the dancer gathers Earth's energy, draws it straight up through the body, and gives it to Sky.  Balancing Earth and Sky energy within oneself through the process of gathering and giving away.  Earth is gathered and given away to the Sky. The sky is gathered and give away to Earth.  
Next, the dancer gathers the South's innocent trust.  Rotating toward the right side pulls an imagined bow. The bowstring becomes an arrow as the body rotates into the North.  The motion is the giving away of the South's energy to the North and gathering the North's energy (wisdom, power, crystallization of knowledge like snow) and pulling it back through the heart to give away the energy to Earth. The dancer faces West, color black (the place of the setting sun), and repeats the basic motions. Gathering Earth's energy and giving it to Sky then gathering the Sky's energy and pulling it down to the Earth. Each side (the male and female) leads until the dancer faces North and repeats the movements, gathering North's energy and giving it away to the South.  
The practice of Tslagi balances one within one's self and aligns the male and the female. Tslagi restores harmony with the environment and with all people from every direction. Tslagi is one painting in a series of four. Four works exploring the four pillars of humanity that the artist believes are necessary yet neglected in modern society. In Tslagi, Michele Utley Voigt offers the Dance of Life.
Tslagi, the Medicine Dance of Life, is an ancient and sacred Cherokee movement of meditation for balance, alignment, and prayer. The essence of this movement is to honor, share, and integrate the spiritual gifts and qualities of the Four Directions as well as Father Sky and Mother Earth. 
The dance begins facing East, the direction of the far-seeing eagle (intuition, psychic abilities, and the patterns within people) making a large, wide circular motion as if making a circle of protection around the Earth. Motion stops with palms down, releasing that blessing into the earth. The dancer steps back with the left foot and left arm (as if a bird's wing), followed by the right foot and right arm.  Reaching down in front with both hands gathers Mother Earth's energy, pulls it straight up, through the body, and reaches toward the sky giving away the Earth's Energy to Father Sky.  The dancer then gathers the Creative Sky energy and pulls it down through the body and, with palms down, gives it away to the Earth. The movement is repeated on the left side. 
Palms up offering the Earth's Energy to Father Sky, palms down offering Father Sky's Energy to Mother Earth. Once the body is balanced, the feminine left side and the masculine right side are each ready to lead. The dancer gathers the energy of the East, the light of the morning sun, and the far-seeing eagle and pulls it through their heart as if drawing the string of a bow while rotating toward the West.  
The right-hand reaches into the West (the place of introspection, dreams, reflection on life, and the day you have just lived). Pulling the Western energy through the body and again giving it away to the Earth. Next, the dancer faces the South and repeats the basic movements. The South is the place of trust and the innocence of childhood.  The color is green, that of new life in plants.  Again the dancer gathers Earth's energy, draws it straight up through the body, and gives it to Sky.  Balancing Earth and Sky energy within oneself through the process of gathering and giving away.  Earth is gathered and given away to the Sky. The sky is gathered and give away to Earth.  
Next, the dancer gathers the South's innocent trust.  Rotating toward the right side pulls an imagined bow. The bowstring becomes an arrow as the body rotates into the North.  The motion is the giving away of the South's energy to the North and gathering the North's energy (wisdom, power, crystallization of knowledge like snow) and pulling it back through the heart to give away the energy to Earth. The dancer faces West, color black (the place of the setting sun), and repeats the basic motions. Gathering Earth's energy and giving it to Sky then gathering the Sky's energy and pulling it down to the Earth. Each side (the male and female) leads until the dancer faces North and repeats the movements, gathering North's energy and giving it away to the South.  
The practice of Tslagi balances one within one's self and aligns the male and the female. Tslagi restores harmony with the environment and with all people from every direction. Tslagi is one painting in a series of four. Four works exploring the four pillars of humanity that the artist believes are necessary yet neglected in modern society. In Tslagi, Michele Utley Voigt offers the Dance of Life.
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Tslagi ( Dance of Life ) Painting

Michele Utley Voigt

United States

Painting, Oil on Canvas

Size: 48 W x 60 H x 2 D in

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About The Artwork

Tslagi, the Medicine Dance of Life, is an ancient and sacred Cherokee movement of meditation for balance, alignment, and prayer. The essence of this movement is to honor, share, and integrate the spiritual gifts and qualities of the Four Directions as well as Father Sky and Mother Earth. The dance begins facing East, the direction of the far-seeing eagle (intuition, psychic abilities, and the patterns within people) making a large, wide circular motion as if making a circle of protection around the Earth. Motion stops with palms down, releasing that blessing into the earth. The dancer steps back with the left foot and left arm (as if a bird's wing), followed by the right foot and right arm. Reaching down in front with both hands gathers Mother Earth's energy, pulls it straight up, through the body, and reaches toward the sky giving away the Earth's Energy to Father Sky. The dancer then gathers the Creative Sky energy and pulls it down through the body and, with palms down, gives it away to the Earth. The movement is repeated on the left side. Palms up offering the Earth's Energy to Father Sky, palms down offering Father Sky's Energy to Mother Earth. Once the body is balanced, the feminine left side and the masculine right side are each ready to lead. The dancer gathers the energy of the East, the light of the morning sun, and the far-seeing eagle and pulls it through their heart as if drawing the string of a bow while rotating toward the West. The right-hand reaches into the West (the place of introspection, dreams, reflection on life, and the day you have just lived). Pulling the Western energy through the body and again giving it away to the Earth. Next, the dancer faces the South and repeats the basic movements. The South is the place of trust and the innocence of childhood. The color is green, that of new life in plants. Again the dancer gathers Earth's energy, draws it straight up through the body, and gives it to Sky. Balancing Earth and Sky energy within oneself through the process of gathering and giving away. Earth is gathered and given away to the Sky. The sky is gathered and give away to Earth. Next, the dancer gathers the South's innocent trust. Rotating toward the right side pulls an imagined bow. The bowstring becomes an arrow as the body rotates into the North. The motion is the giving away of the South's energy to the North and gathering the North's energy (wisdom, power, crystallization of knowledge like snow) and pulling it back through the heart to give away the energy to Earth. The dancer faces West, color black (the place of the setting sun), and repeats the basic motions. Gathering Earth's energy and giving it to Sky then gathering the Sky's energy and pulling it down to the Earth. Each side (the male and female) leads until the dancer faces North and repeats the movements, gathering North's energy and giving it away to the South. The practice of Tslagi balances one within one's self and aligns the male and the female. Tslagi restores harmony with the environment and with all people from every direction. Tslagi is one painting in a series of four. Four works exploring the four pillars of humanity that the artist believes are necessary yet neglected in modern society. In Tslagi, Michele Utley Voigt offers the Dance of Life.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 60 H x 2 D in

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I paint stories of the human experience. The soul of life is demonstrated in depictions of figures interacting within a realm of time, realities, and one another. I paint that that is seen and unseen. I depict the beauty that often exists after a tragedy. I express the plane of existence pictorially divided, fragmented, as the energy and emotion around each being and happening. Often this movement is abstract, and often it is literal. I create images from inside myself. I carry them and grow them within me until I paint. Most of my paintings are of women and their realities as they relate to the greater human experience. Since my early life, I have worked in oils and prefer my expressions to be shared in their radiance applied using master techniques. The cause for which I create is my acute foresight and sense of the interconnectedness of all elements and time. What is seen and not seen. Known and not known. Contemporaneous, interacting, and incessantly influencing one another in a continuum of the past, present, and future. The entirety exists concurrently. I render the human relationship with eternity. I convey the human experience; acts, thoughts, sentiments, and situations layered upon all those of the past. Giving that human existence as we experience it is bound to the continuum of time. My vision is the complex language of layering multiple imagery levels representing the complicated content of a consequence, condition, moment, notion, or incident. The dialogue I consign contains all elements past and present, their atmosphere, and the energy collectively interacting. My work foreshadows the continuum of the condition. I paint to deliver a vision that others have not seen.

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