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Turritopsis nutricula Painting

Kristina Korobeynikova

Russia

Painting, Oil on Canvas

Size: 31.5 W x 31.5 H x 0.2 D in

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About The Artwork

"Turritopsis Nutricula" is an immortal jellyfish that gets younger and returns to its original state , starting life anew, and these metamorphoses last indefinitely.. Meanwhile, humanity is struggling with the elixir of immortality, hoping to prolong its own life like a jellyfish, which is a symbol of immortality. But few people think that our immortality is what we leave behind.. These are our views, thoughts and beliefs, this is our genetics, which we pass on to our children.. Shakespeare also spoke about this, about immortality, which everyone can achieve by extending their pedigree, leaving a part of themselves in their children.. "Turritopsis Nutricula" is the last right part of the triptych" Our immortality is in our children".

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kristina was born in a small town in the North Caucasus and started drawing at an early age. She expresses her love for mountains and nature in her poetic landscapes, trying to convey the thrill of the soul that the places she sees for the first time evoke . According to the artist, each landscape motif is a specific piece of music , with its own special melody and intonation . Series of pastels created in 2016-2019. become the first steps in she gives away finding her own style. The vertical stroke that fills the entire space of the works creates a thrill and vibration that serves as a way to convey the state and feelings, but at the same time creates a decorative surface like a tapestry . Over the years, the vertical stroke in Kristina's works grows into a point , she now gives her preference to oil, and the colorful surface of her latest canvases begins to resemble a mosaic. The artist uses vivid , saturated colors, which are mixed optically, like the pieces of smalt in mosaics. The most interesting thing is that one of the first copies that Kristina made as a child was a copy of the work of J. Signac . Since then, about 20 years have passed , many years of training in realistic painting have passed , but after going through the difficult path of traditions, she returned to the method of color decomposition, to the method that she met when she was 9 years old , the method used by pointillist artists. Now she is working on a project in which the surfaces of canvases with their characters are transformed into monumental images of mosaic panels, combining easel and monumental painting.

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