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type to me ( in time ribbons deteriorate ), detail
type to me ( in time ribbons deteriorate ), detail (2)
type to me ( in time ribbons deteriorate ), detail (3)
type to me ( in time ribbons deteriorate ), side and face
type to me, rear of canvas
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type to me ( in time ribbons deteriorate ) Painting

Emitt Kyle

United States

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 0.9 D in

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About The Artwork

I have a friend that still uses a typewriter. We hold a romantic view of things of antiquity; once every day items have become ‘retro’, now used by few. The dark indigo and red band running down the painting is reminiscent of a typewriter ribbon. Discarded and forgotten. all things return to dust, all will decompose the ribbon, the letters typed. We hold on to the past, mostly through memory but sometimes through physical objects that link us to a place and time. This painting is an expression of a melancholic longing for things gone; the sadness that comes with nostalgia. The painting has been made by placing stretched canvas on the floor. A brush being loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint giving some surface texture; although this is quite minimal as the paint is heavily thinned. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry, and each layer of varying tonal strengths to the last, depending on texture and visual effect desired. Painting is signed, dated and titled on rear. Ready for hanging.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.9 D in

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Born in the U.K. and although had no formal training in the arts became an art school gatecrasher at UCA (formerly KIAD) between 1995-2000. Lived in Asia from 2009 - 2018. Now lives in California U.S.A. Emitt makes abstract minimalist and colorfield paintings concerned with the instability of form; the collapse and disintegration of mass. Looking at ideas in science regarding molecular structure and concepts of existence and nonexistence found in Buddhist and Taoist philosophy. The composition of the work has been influenced by modernism and colorfield painting with an emphasis on the creation of negative space. The paintings are made by placing stretched canvas on the floor. A brush is loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry depending on texture and visual effect desired. Each layer is of a differing tonal value. Each painting is made with as limited pallet of hues as possible. The work is made with the intention to give the audience feelings of tranquility, peacefulness and calmness and a sense of commune with the universe outside and within.

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