VIEW IN MY ROOM
Untitled Cat. No. B2-125 Painting
Painting, Pastel, Color Penci on On Paper
Size: 30 W x 22 H x 1 D in
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About The Artwork
In deep space, inorganic and organic elements collide. Their DNA partially exchanges leaving some of the objects in both confusion and in combat. The stage is dark and mysterious, until at long last, any consternation is pierced by a critical mass of sorts. That doesn't mean that it has come to any resolve. A myriad of new configurations might emerge, and new systems regenerate. If this is true, it kind of resembles the situation that we the living, must contend with. To me, the new cycle is as random as the universe seems to be. Thus new forms and ways of looking at them are just as random. This offers freedom of gesture as in the Abstract Expressionists, or specifically the annotations of Rauschenberg, Duchamp, or Cy Twombly.
Original Created:2023
Subjects:Abstract
Materials:On Paper
Styles:SurrealismAbstract
Mediums:Pastel, Color Penci
Details & Dimensions
Painting:Pastel, Color Penci on On Paper
Original:One-of-a-kind Artwork
Size:30 W x 22 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I was born in Brooklyn, New York. In today's environment, there are a number of issues of great concern to me. Particularly, I think of the existential possibilities of the human race (i.e. climate change, political hostilities, racial animus, etc.). However it's not much fun to depict such themes without becoming voyeuristic or depressed victims ourselves. I prefer paintings that one can be comfortable viewing (like Tom Nozkowski’s work or the Dreaming paintings of Australian aborigines), while actively thinking positively. So when I began writing some genre screenplays, I wanted subconscious story to resonate with the viewer. I thought that intimate pastels would comfortably introduce dramatic elements without becoming offensive. The theme isn't overt. It may be suggested by the absence of humans or organic forms we can't recognize. Large acrylic paintings punctuate turning points in my ongoing vision.
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