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untitled painting in blue Painting

Emitt Kyle

United States

Painting, Acrylic on Cardboard

Size: 31 W x 30.9 H x 0.1 D in

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$310

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About The Artwork

I have a keen interest in graffiti and street art, although I practice neither of these. I find myself drawn to decaying matter, especially building materials such as metal and concrete. This includes deteriorating paint, sprayed or brushed that is fading; disintegrating on weather damaged concrete surfaces. These things inform my work. The work is a contemplation/meditation on the deterioration of mark making over time, the instability of the solid, the fading away of the painted image and with it the memory of that image. In my work I am concerned with the struggle to grasp the ghostly image that comes with fading memory. The painting has been made by firstly brushing on a background, of rough composition ideas, in acrylic, then placing the card carrier on the floor. A brush being loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint giving some surface texture; although this is quite minimal as the paint is heavily thinned. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry, and each layer of varying tonal strengths to the last, depending on texture and visual effect desired. Some spray can paint has been used. Painting is signed, dated and titled on rear.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:31 W x 30.9 H x 0.1 D in

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Born in the U.K. and although had no formal training in the arts became an art school gatecrasher at UCA (formerly KIAD) between 1995-2000. Lived in Asia from 2009 - 2018. Now lives in California U.S.A. Emitt makes abstract minimalist and colorfield paintings concerned with the instability of form; the collapse and disintegration of mass. Looking at ideas in science regarding molecular structure and concepts of existence and nonexistence found in Buddhist and Taoist philosophy. The composition of the work has been influenced by modernism and colorfield painting with an emphasis on the creation of negative space. The paintings are made by placing stretched canvas on the floor. A brush is loaded with paint and then tapped gently above the canvas to give a spray effect; the surface becoming made up of small dots and splashes of paint. Layers of paint are applied one at a time; wet-on-wet or wet-on-dry depending on texture and visual effect desired. Each layer is of a differing tonal value. Each painting is made with as limited pallet of hues as possible. The work is made with the intention to give the audience feelings of tranquility, peacefulness and calmness and a sense of commune with the universe outside and within.

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