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"Untitled" Painting

→ Eduardo Landa, Germany

Painting, Oil on Paper

13.4 W x 18.9 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,090

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Oil Paint Portrait of a Woman on Stone Paper, the work is mounted on archival cardboard, I don't like to explain my work as I think it should speak to the viewer by itself, everybody has different reactions to any work and even giving them a title would influence the viewer.

Year Created:

2024

Subject:

Mediums:

Painting, Oil on Paper

Rarity:

One-of-a-kind Artwork

Size:

13.4 W x 18.9 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Eduardo Landa

About the Artist

Eduardo Landa

Germany

My work is fundamentally cantered on exploring the human form and character. I find nothing
more interesting than this. I seek to capture the character and essence of the
subject; at other times, I construct a fictitious narrative—developed
in collaboration with the subject. In the end, I believe a
person’s character always comes through, but whether that is the case or not
that should not matter on the final result, the work shall speak for it self.

I like to believe that the influence of architecture,
photography, my cultural background, and personal influences are visibly
present in my painting style.


I intentionally avoid assigning decipherable titles or providing literal
explanations. It is important to me that each viewer approaches the work
without external guidance, forming their own interpretations based solely on
the visual and emotional experience. Today, discourse, statements, and
fabricated personas are often prioritised over the actual work itself. As a result,
the constructed “persona” has, regrettably, come to overshadow the true
substance of what anyone produces.
I understand that this approach runs counter to much of the advice commonly
given to gain visibility. But if we cannot remain true to our principles in creative
endeavours, then what, ultimately, do we have left?

Recognition:

  • Artist featured in a collection

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