VIEW IN MY ROOM
Untitled Painting
United States
Painting, Acrylic on Canvas
Size: 42 W x 60 H x 1.5 D in
Ships in a Crate
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About The Artwork
This painting is from an ongoing series titled "Visual Meditation." "Visual Meditation" is a body of work that explores the potential of non objective art and my own adaptation on geometric, hard edge abstraction. The act of meditating can offer one to be in a relaxed and filtered state of mind, allowing their awareness and senses to turn to the simple interactions happening around them. The paintings offer no message other than for the viewer to look at them, enriching those in the present sensation of vision. Interaction of shapes, color, and lines are the only subject matter to look at, allowing for an infinitely open interpretation. The subject matter determined by the viewer can range from an absolutely silent conclusion to an extremely complex message. The non objectivity of these pieces allows people to indulge in a visual meditation and experience without any pressure, need, or expectation to develop a meaning for them. These artworks initiate a silent interaction with the viewer, letting them enjoy the sensations of vision and awareness.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:42 W x 60 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I am 25 years old currently residing in a small town in Connecticut. I acquire inspiration from many adapting themes, examples ranging from manmade marvels of architecture and construction, process abstraction, large scale landscapes, botanical drawings and specimens, light, portraiture, found objects, so on. The limitations of time and what is physically possible constrain me to follow only two or one of these styles at a time, even though I'd adore the ability to work on all themes at once. With this in mind, my seemingly random mediums and styles that are constantly alternating are the direct effect of my broad inspiration and fascination with the world.
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