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This is the second version of this view of the Chateau on the river Charente at Verteuil that I have painted from this vantage point further along the river. I love to play with the contrast between fuzzy natural things, and the hard man-made edges in buildings. Also, there was a great opportunity to paint depth with the trees right in front of you, and the chateau receding into the distance. All done in one day working on site en plein air, with a break for lunch and coffee!

Just for info… The Château de Verteuil dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the La Rochefoucauld family.
This is the second version of this view of the Chateau on the river Charente at Verteuil that I have painted from this vantage point further along the river. I love to play with the contrast between fuzzy natural things, and the hard man-made edges in buildings. Also, there was a great opportunity to paint depth with the trees right in front of you, and the chateau receding into the distance. All done in one day working on site en plein air, with a break for lunch and coffee!

Just for info… The Château de Verteuil dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the La Rochefoucauld family.
This is the second version of this view of the Chateau on the river Charente at Verteuil that I have painted from this vantage point further along the river. I love to play with the contrast between fuzzy natural things, and the hard man-made edges in buildings. Also, there was a great opportunity to paint depth with the trees right in front of you, and the chateau receding into the distance. All done in one day working on site en plein air, with a break for lunch and coffee!

Just for info… The Château de Verteuil dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the La Rochefoucauld family.
This is the second version of this view of the Chateau on the river Charente at Verteuil that I have painted from this vantage point further along the river. I love to play with the contrast between fuzzy natural things, and the hard man-made edges in buildings. Also, there was a great opportunity to paint depth with the trees right in front of you, and the chateau receding into the distance. All done in one day working on site en plein air, with a break for lunch and coffee!

Just for info… The Château de Verteuil dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the La Rochefoucauld family.
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View In My Room

Verteuil-sur-Charente II Painting

Jean David

Australia

Painting, Oil on Canvas

Size: 15.7 W x 19.7 H x 2 D in

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ABOUT THE ARTWORK

This is the second version of this view of the Chateau on the river Charente at Verteuil that I have painted from this vantage point further along the river. I love to play with the contrast between fuzzy natural things, and the hard man-made edges in buildings. Also, there was a great opportunity to paint depth with the trees right in front of you, and the chateau receding into the distance. All done in one day working on site en plein air, with a break for lunch and coffee! Just for info… The Château de Verteuil dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the La Rochefoucauld family.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

15.7 W x 19.7 H x 2 D in

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I’m Jean David, and I am an artist and art teacher. I have had a passion for painting and drawing all my life. These days, I will generally paint and draw anything that will be still enough for long enough to let me! I prefer to paint directly (ie with the actual subject matter in front of me, rather than a photo) either in the studio or out in the elements ‘en plein air’. To me, a well executed drawing or painting (mine or anyone else’s) can convey a truth more eloquently, an emotion or a feeling of human experience more truthfully than any other form of expression. I can still remember the first time I saw a Leonardo drawing in a text book – I was literally transfixed at how the world could be viewed in a different way other than how I had been brought up. To me, the Leonardo drawings were able to get directly to the heart of the matter, and disregard what he could not be bothered to ‘see’. Since my decision to become a full time artist some twenty something years ago, I have tirelessly pursued a goal to be able to just do it better. This has inevitable involved me going through a number of stages and phases, all of which have helped me acquire more experience and skills as I moved forward. It has long been touted that in order for an artist to develop, he/she needs to travel and experience different environments, so the journey is a physical one as well, and I have lived and painted in Australia, England, Wales, The Netherlands , Hong Kong and France, taking in many other countries along the way, including Spain, Portugal, Italy, Scotland, Germany, Croatia, Russia, Sweden, Crete, Fiji, New Caledonia.

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