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France
Painting, Acrylic on Canvas
Size: 25.6 W x 19.7 H x 0.8 D in
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The colors make the musical effect of the vibrato. Modulation of a note in height and intensity. Growing heat of colours illustrates increased intensity of vibrato. Inspired by BAUDELAIRE : " Comme de longs échos qui de loin se confondent. Dans une ténébreuse et profonde unité, Vaste comme la nuit et comme la clarté, Les parfums, les couleurs et les sons se répondent" Poème "Correspondances", Baudelaire in "Les Fleurs du mal", 1857 "Like prolonged echoes mingling in the distance In a deep and tenebrous unity, Vast as the dark of night and as the light of day, Perfumes, sounds, and colors correspond." William Aggeler, "The Flowers of Evil", 1954
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:25.6 W x 19.7 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
French Woman) For me Abstract painting is emotion in colors. forms, energies, arise for a plural look I liked art very early, I started with drawing and painting (freehand reproductions). My motivation was always need to create. I realized it by writing and especially by self-taught painting. I secretly nurtured a vocation of artistic expression that grew in power. I visited galleries and museums in France and abroad, I followed artistic learning (university drawing course: figurative). Visits to the workshops of contemporary painters who kindly welcomed me, were the definitive trigger in years 2000 of a more intense practice. My taste for aesthetics, colors, textures and free expression of deep emotions naturally led me to contemporary on the margins of my professional activities. I took online acrylic painting courses. Here are some of my paintings. I use acrylic for its fluidity. I work mainly with brushes, brushes, sterilizers, sometimes in mixed technology with knives, spatulas, sponges, hands, sprays, pouring. I try to combine spontaneity and pictorial structure. My starting point can be intuition, impression, nsight (an inner vision), colour, line, shape… I like surprises and plastic incidents. I often play with effects of reliefs, movements, drops, dissonances, contrasts, irruptions, unfinished.
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