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View Of Carmelite Monastery, Carmel-by-the-Sea Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 14 W x 11 H x 0.2 D in

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About The Artwork

In this oil painting, the serene beauty of Carmel-by-the-Sea's Carmelite Monastery is skillfully captured from the vantage point of Monastery Beach. Bathed in the warm embrace of sunlight, the majestic monastery building stands as the focal point, exuding an aura of timeless tranquility. Eucalyptus and Monterey cypress trees sway gently in the sea breeze, their lush foliage creating a verdant frame around the scene. The foreground is adorned with a vibrant carpet of grass, inviting viewers to immerse themselves in the idyllic setting of a perfect sunny day. Through expert brushwork and a harmonious play of light and shade, the painting evokes a sense of peaceful reverence, inviting one to ponder and appreciate the serenity of nature and the spiritual sanctuary of the Carmelite Monastery. Materials: Belgian oil-primed linen professionally mounted on archival Gatorfoam panel.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:14 W x 11 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); an Artist Member of California Art Club (CAC), and Oil Painters of America (OPA). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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