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Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. 
Sites with a past in the stoneage I visited throughout northern germany and england extensively.
A unique piece of artwork of my screenprint and silver gelantine cycle.
Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. 
Sites with a past in the stoneage I visited throughout northern germany and england extensively.
A unique piece of artwork of my screenprint and silver gelantine cycle.
Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. 
Sites with a past in the stoneage I visited throughout northern germany and england extensively.
A unique piece of artwork of my screenprint and silver gelantine cycle.
Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. 
Sites with a past in the stoneage I visited throughout northern germany and england extensively.
A unique piece of artwork of my screenprint and silver gelantine cycle.
Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. 
Sites with a past in the stoneage I visited throughout northern germany and england extensively.
A unique piece of artwork of my screenprint and silver gelantine cycle.
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VOYAGE II, 1999 / Silkscreen ink, mail bag, paper, oil on canvas Painting

SVEN JAKUBITH

Germany

Painting, silkscreen ink on Canvas

Size: 54.7 W x 74.8 H x 3.1 D in

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Originally listed for $2,700
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About The Artwork

Collage incorporating silkscreen prints on canvas, handprinted in my art studio in Berlin, Germany. The artwork is from 1999. The silkscreen was prepared by myself at the Künstlerhaus Bethanien, Berlin. On the left bottom is an aerial photograph taken from a book (approximate titel: "Aerial photographs of archaeological site in great britain") showing the rmanins of historical henges. On the left top is the silkscreen print of a photo I took while canoeing the Loire, france. The work shows a voyage in place in time. The Loire I travelled, the US-mailbag I collected when sending my studio items from the US westcoast (Berkeley) back to my studio germany in 1993. Sites with a past in the stoneage I visited throughout northern germany and england extensively. A unique piece of artwork of my screenprint and silver gelantine cycle.

Details & Dimensions

Painting:silkscreen ink on Canvas

Original:One-of-a-kind Artwork

Size:54.7 W x 74.8 H x 3.1 D in

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Born in Berlin. Cycling in SE-Asia. Vietnam (2x), Laos(4x), Burma(1x), Cambodia(1x), Thailand(4x) and NZ (1x), Cuba(1x). Sailing: 2015 I set sails in Mallorca (Spain) and sailed solo to the Caribbean. And in 2016 after transversing the Panama channel I sailed all the way single-handed to French Polynesia, 48 days only water and no company. The pacific is HUGE. That “empty” space made a big impression on me. I sold the boat in Tahiti in June 2016 and bought a much bigger and better equipped boat in october 2016 in Barcelona, Spain – the ETHEREAL. Setting off again to the south pacific. In spring/summer 2018 (while the ETHEREAL is waiting on Panama for me) I set up a studio again, this time in Bavaria in the mountains. Like a scout I started in spring 2018 to follw my tracks back – going mentally back to my artwork which I paused 15 years ago. A common theme on most of my works back then and now are traces. Traces left behind in time and space. Physical traces on the beach and immaterial traces (like the wake a inscribed in the pacific on my journey). Things I was able to capture (travel photography) and draw its traces onto the canvas by silkscreen print or by means of light sensitive coating. And always the pure joy to use intense colors or subtle shades of multiple layers of half-transparent colors in combination with the ink or silver gelantine to express the DISTANT TRACES.

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