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Warmth Painting
United States
Painting, Acrylic on Canvas
Size: 30 W x 40 H x 1 D in
Ships in a Box
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About The Artwork
A pseudo monochromatic color palette is the star of this piece. Warm colors are starkly contrasted against jet black shape and line. Oftentimes I'm asked about goals with respect to my work. Aside from self-satisfaction, my goal is to move towards visual interest. I've always been drawn to negative or white space. No, you won't see it in all of my work, but it is prevalent in many. Two statements are being made on this canvas. A statement of color and a statement of contrast. How the two interact is what draws me into this piece. Feelings of separation, an "us against them" vibe, a reaching out to be a part of something are the first few things that come to my mind when considering Warmth. A primary process in my work includes a good deal of judgement on my part. Working in stages, I take the time to consider what's next, if there is in fact, a next. I lived with this one for almost two weeks before deciding, yes, this one is complete. I like where it stands, what it says to me and how it makes me feel. Ships framed and ready to hang. Can be signed on front or back, your choice. Free shipping continental US.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 40 H x 1 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
"Predictably unpredictable" describes my process. Using mostly brayers to apply and manipulate acrylics, the outcome is often somewhat unexpected, and the discovery factor is high. I have an idea of what will occur when I put paint to canvas, but not an exact one. My process is one of discovery and exploration, continually experimenting with color, texture and underpainting, with a healthy dose of “what happens if”. In addition to brayers, I use rags, fingers, palette knives, squirt bottles and the occasional brush, graphite and marker. The primary focus with most of my work is the affect humans have on the natural world. In the bulk of my paintings, the natural world is represented by color. Man's footprint appears as black lines, marks and shapes. The viewer determines if our imprint is a positive or negative one.
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