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Joanna Maria Dziedzianowicz PAINTINGS
United Kingdom
Painting, Acrylic on Canvas
Size: 19.7 W x 19.7 H x 0.4 D in
Ships in a Tube
If you want to see how the paintings are being made, follow @asiaodkasi or Joanna M Dziedzianowicz on Instagram. Instastory updated every Wednesday. If you love my work and wish to have one of my paintings, that is sold, you can always ask for commission. Contact Saatchi Art Team to forward email to the artist jdziedzianowicz@gmail.com The watermelon is thought to have originated in southern Africa, where it is found growing wild. It reaches maximum genetic diversity there, with sweet, bland and bitter forms. In the 19th century, Alphonse de Candolle considered the watermelon to be indigenous to tropical Africa. Citrullus colocynthis is often considered to be a wild ancestor of the watermelon and is now found native in north and west Africa. However, it has been suggested on the basis of chloroplast DNA investigations that the cultivated and wild watermelon diverged independently from a common ancestor, possibly C. ecirrhosus from Namibia. Evidence of its cultivation in the Nile Valley has been found from the second millennium BC onward. Watermelon seeds have been found at Twelfth Dynasty sites and in the tomb of Pharaoh Tutankhamun. In the 7th century watermelons were being cultivated in India, and by the 10th century had reached China, which is today the world's single largest watermelon producer. Moorish invaders introduced the fruit into Europe and there is evidence of it being cultivated in Córdoba in 961 and also in Seville in 1158. It spread northwards through southern Europe, perhaps limited in its advance by summer temperatures being insufficient for good yields. The fruit had begun appearing in European herbals by 1600, and was widely planted in Europe in the 17th century as a minor garden crop. European colonists and slaves from Africa introduced the watermelon to the New World. Spanish settlers were growing it in Florida in 1576, and it was being grown in Massachusetts by 1629, and by 1650 was being cultivated in Peru, Brazil and Panama, as well as in many British and Dutch colonies. Around the same time, Native Americans were cultivating the crop in the Mississippi valley and Florida. Watermelons were rapidly accepted in Hawaii and other Pacific islands when they were introduced there by explorers such as Captain James Cook.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 19.7 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Joanna Maria Dziedzianowicz stands at the forefront of contemporary artistic expression and is dedicated to exploring the intricate interplay of cultures. With an unwavering commitment to unveiling the transparency of cultures, Dziedzianowicz endeavours to showcase the universal thread that binds humanity. Through upcoming projects, she seeks to illuminate the profound notion that every individual can discover a sense of belonging in any corner of the globe. A keen curiosity about the diverse tapestry of human experiences marks Dziedzianowicz’s artistic journey. By delving into the intricate nuances of various cultures, she aims to break down barriers and foster a deeper understanding of our shared human heritage. This exploration catalyzes her belief that, despite apparent differences, we all possess an inherent capacity to connect with and find belonging in cultures beyond our own. As she unveils her latest projects, the artist invites audiences to join her on a visual and conceptual voyage. Through her work, Dziedzianowicz invites viewers to reconsider notions of identity, fostering an appreciation for the rich tapestry of global cultures and, ultimately, reinforcing the idea that each person can carve out a meaningful sense of belonging in our interconnected world.
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