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(We Holding Onto) What's Golden Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 72 H x 1.5 D in

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About The Artwork

Check it out now... I work the pen to make the ink transform On any particular surface the pen lands on Zaakir is hands-on, what's the beef? The Cooley High cold chief high post techniques I drape off poetic landscapes and shapes Illustrate the paper space off the pens that paint Then design what have a National Geographic a magic With tailor made status and plus flavor that's automatic We're not balling We take it back to the days of yes y'all-in' We holding onto what's golden *On a stage I rage and I'm rollin'* Melancholy mundane so I tame the hot flame Big rings, fat chains, and y'all quest for the same No name, use fame, strictly new to the thang We stay true to the game and never bring it to shame We tight like dreadlocks or red fox and ripple We pass participles, and smash the artist in you The saga continues, this I won't get into 'Cause there ain't enough bars to hold the drama that we been through Yo... We still the same with a little fame A little change in the household name but ain't too much changed We in the game but, yo not to be vain I refrain from salt grains to season up my name We entertain for a mutual game from close range Steady aim, drum at your head to hit the brain I'm labor ready, Rhode Scholar for the dollar Work for mines pay me by the hour Hip...Hop Music [a bunch of times] Yo... Well, it's the verbal Herman Munster The word enhancer, sick of phony mobsters controllin' the dance floor I been in dark places, catch you when you stark naked Your heart races as we pump you for your chart spaces The taut taces be bringing these hot styles through Some of you bum a few chairs from shock value Word power can plow through acres of cornfields Paragraphs cut like warm steel, preform ill... 'What's Golden' by Jurassic 5 Songwriters: Marc F. Stuart, Lucas Christian Macfadden, Mark Ali Potsic, Charles L. Stewart, Dante Lamar Givens, James Henry Boxley Iii, Eric T. Sadler, Carlton Douglas Ridenhour, Courtenay D. Henderson

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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