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VIEW IN MY ROOM

'We're gonna make this thing work out eventually' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 36 H x 1.5 D in

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About The Artwork

I really know how it feels to be, stressed out, stressed out When you're face to face with your adversity I really know how it feels to be, stressed out, stressed out We're gonna make this thing work out eventually Yo I ain't one to complain but there's things in the game (What's your name?) Consequence, I'm tight, burnt like flames (And why's that?) American dreams, they got this ghetto kid in a fiend Don't stress that cause it's not in your bloodstream Your whole being, comes from greatness, d'you remember Shatan got you caught in the storms of December And brothers on the block packing nines like September Crazy situations keeps pockets on slender Yo I be on the avenue where they be actin brand new I'm splurging on these Reebok joints for shorty boo All of a sudden, I saw these two kids frontin' Talking out they joints but they wasn't saying nuttin' My hand was on my toolie they was actin unruly (Say word) Yo word up, yo I was tight caught up But I swallowed my pride and let that nonsense ride Because I'm positive it seems that negative dies Yo we was at the dice game making these cats look silly Flaming, steady running off at the Willie I had my cash mixed, my rent due, with my play-dough I gotta see some loot so all my girls I blow Shook them shits in my palm let em hit the flo' Kept my eyeballs scopign for them pigs po-po I got to go on the ave see my parole by fo' But I gotta steady freak these boys like JoJo And I was doing it, til I met Ike, Spike, and Mike One roll, they had my pockets thirstier than Sprite Yo I know the feeling, when you feeling like a villain You be having good thoughts but the evils be revealin' And the stresses of life can take you off the right path (no doubt) Jealousy and envy tends to infiltrate your staff We gotta hold it down so we can move on past All adversities, so we can get through fast, like that I really know how it feels to be, stressed out, stressed out When you're face to face with your adversity I really know how it feels to be, stressed out, stressed out We're gonna make this thing work out eventually You got the N.W.O. (low cash flow) Your baby's on the way (and you don't know who) And crosstown niggas trying to (bust at you) Aiyyo they got me stressed out (and you don't know what to do) So frame this Kodak black, and vision to my contact With a poultry scrap, workers get pistol smacked The switch hitting Queens, niggas liquid sword spittin With raw poppy, and now your first love is krill Your vision of the mil got crept like Hey Lover Tried to rise to the top, you just couldn't recover And all I want is my laceration of the pie To get this whip cream before the water runs dry Niggas flash dancing, yo, I don't know why You're sick of snitching, she got you cruising to the pokey Like Smokey, the stress be trying to squeeze out a homey While I be trying to get star status like Shinobi So we can build a dynasty, just like the Toby's And all I want, is the world to know my steez These money hungry niggas is seven thirty And got me stressed out like these frog emcees I really know how it feels to be, stressed out, stressed out When you're face to face with your adversity I really know how it feels to be, stressed out, stressed out We're gonna make this thing work out eventually Don't worry we gon make it (gonna make it) Don't worry we gon make it (oh yeah) Don't worry we gon make it (gonna make it) We gon make it (gotta make it) Don't worry we gon make it (gotta make it) We're gonna make it (we gotta make it) Don't worry we gon make it (we gonna make it) We gonna make it (oh) Don't worry we gon make it (oh) Don't worry we gon make it (gonna make it) Don't worry we gon make it (oh) We gon make it Don't worry we gon make it I know we gonna make it (we're gonna make it) C'mon baby we gon make it (yeah) We gon make it (yeah) Don't worry we gon make it (we're gonna make it) We've gotta make it (we've gotta make it) We've gotta make it (oh yeah) Know we're gonna make it We're gonna make it, gonna make it, we gotta make it, know we gonna make it ‘Stressed Out’ by A Tribe Called Quest Songwriters: Kamaal Ibn John Fareed / Ali Shaheed Jones-Muhammad / Malik Izaak Taylor / Gary Taylor / Dexter Raymond Jr. Mills "Stressed Out" is the second single from A Tribe Called Quest's fourth album Beats, Rhymes and Life. The song featured Faith Evans on the chorus and production by The Ummah. The video begins with the group in a red room. The next scene is at a dice game that Consequence and Q-Tip are involved in. Two men at the game start a fight and as a car shows up, everyone flees. During the chorus, Faith Evans is in blue, red, and black rooms. A dishwasher at a restaurant is shown, stressed out at work. Also, a man with money problems is shown struggling to pay bills and provide for his family. Then, the dishwasher knocks down all of the dishes and leaves work. When Faith Evans says "we gon' make it", the man with money problems and his family throw a birthday party. Beats, Rhymes and Life is the fourth studio album by American hip hop group A Tribe Called Quest. Released on July 30, 1996, by Jive Records, it followed three years after the highly regarded and successful Midnight Marauders. Produced by The Ummah, the album is a departure from the joyful, positive vibe of the group's earlier albums and is regarded as their darkest album in content. It debuted at number one on the Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA) on October 27, 1998. A Tribe Called Quest was an American hip hop group formed in St. Albans, Queens, New York in 1985, originally composed of rapper and main producer Q-Tip, rapper Phife Dawg, DJ and co-producer Ali Shaheed Muhammad, and rapper Jarobi White. The group is regarded as a pioneer of alternative hip hop music. In 1991, the group released its jazz-influenced second album, The Low End Theory, regarded for helping shape alternative hip hop in the 1990s. In 1998, the group broke up shortly before releasing its fifth album, The Love Movement, but in 2006, the group's original members reunited and toured the United States. In 2016, the group released its sixth and final album, We Got It from Here... Thank You 4 Your Service, which was still incomplete when Phife Dawg died suddenly in March 2016, and was completed by the other members after his death. A Tribe Called Quest was the most commercially successful act in the Native Tongues collective, with all six of its albums certified either gold or platinum. John Bush of AllMusic called them "the most intelligent, artistic rap group during the 1990s." The Source gave the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990), a perfect rating of five 'mics,' marking the first time that the magazine awarded the rating. In 2005, A Tribe Called Quest received the Founders Award at the Billboard R&B/Hip-Hop Awards, and two years later, the group was honored at the 4th VH1 Hip Hop Honors. In 2017, the group was awarded the Brit Award for International Group. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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