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‘With all these marbles in my mouth’ Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 12 H x 0.5 D in

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What is this song all about? Can't figure any lyrics out How do the words to it go I wish you'd tell me, I don't know Don't know, don't know, don't know, oh no Don't know, don't know, don't know Now I'm mumblin', and I'm screamin' And I don't know what I'm singin' Crank the volume, ears are bleedin' I still don't know what I'm singin' We're so loud and incoherent Boy, this oughta bug your parents Yeah Blergh Haai It's unintelligible I just can't get it through my skull It's hard to bargle nawdle zouss With all these marbles in my mouth Don't know, don't know, don't know, oh no Don't know, don't know, don't know Well, we don't sound like Madonna Here we are now, we're Nirvana Sing distinctly, we don't wanna Buy our album, we're Nirvana A garage band from Seattle Well, it sure beats raisin' cattle Yeah And I forgot the next verse Oh, well, I guess it pays to rehearse The lyric sheet's so hard to find What are the words? Oh, never mind Don't know, don't know, don't know, oh no Don't know, don't know, don't know Well, I'm yellin', and we're playin' But I don't know what I'm sayin' What's the message I'm conveyin'? Can you tell me what I'm sayin'? So, have you got some idea? Didn't think so, well, I'll see ya Sayonara, sayonara Ayonawa, hodinawa Odinaya, yodinaya Yadda-yadda, yah-yah Aye-yaah ‘Smells Like Nirvana’ by "Weird Al” Yankovic Songwriters: David Eric Grohl! / Alfred Matthew Yankovic / Krist Novoselic / Kurt Donald Cobain "Smells Like Nirvana" is a song parody written and performed by American musician "Weird Al" Yankovic. A parody of Nirvana's song "Smells Like Teen Spirit", it was released both as a single and as part of Yankovic's Off the Deep End album in April 1992. "Smells Like Nirvana" was written during a three-year career low for Yankovic after the financial failure of his film UHF, but captured the quickly-rising popularity of grunge and Nirvana's success. The song was written to ridicule the fact that many people could hardly understand Nirvana singer Kurt Cobain's lyrics in the original song. After being unable to contact Nirvana conventionally, Yankovic called Cobain while the band was on the set of Saturday Night Live, where Cobain quickly gave permission to record the parody. Recording the song was a change for Yankovic and his band. Usually, the group were forced to record several overdubs. "Smells Like Nirvana", however, was relatively straightforward in its musical composition. To promote the single, Yankovic created an associated video for the song that parodied the "Smells like Teen Spirit" video. The parody video closely mirrored the original; Yankovic even went so far as to hire several of the same actors and use the same set. "Smells Like Nirvana" was met with critical praise and helped to re-energize Yankovic's career. Cobain considered the parody as a sign that they had "made it" as a band. The song is one of Yankovic's most successful singles and was his second top 40 hit in the United States, reaching number 35 on both the Billboard Hot 100 and the U.S. Mainstream Rock Tracks. The song's video was nominated for a 1992 MTV Video Music Award for Best Male Video. 
 
 Off the Deep End is the seventh studio album by "Weird Al" Yankovic, released in 1992. This album was the first album self-produced by Yankovic, after six albums with Rick Derringer. Recorded between June 1990 and January 1992, the album was a follow-up to the unsuccessful soundtrack to Yankovic's 1989 film UHF. Off the Deep End and its lead single "Smells Like Nirvana" helped to revitalize Yankovic's career after a lull following his last hit single, "Fat", in 1988. The musical styles on Off the Deep End are built around parodies and pastiches of pop and rock music of the late 1980s and early 1990s, including the newly arisen grunge movement. Half of the album is made up of parodies of Nirvana, MC Hammer, New Kids on the Block, Gerardo, and Milli Vanilli. The other half of the album is original material, featuring many "style parodies", or musical imitations of existing artists. These style parodies include imitations of specific artists like the Beach Boys, James Taylor and Jan and Dean. Off the Deep End was met with mostly positive reviews and peaked at number 17 on the Billboard 200. The album also produced one of Yankovic's most famous singles, "Smells Like Nirvana", a parody of Nirvana's major rock hit "Smells Like Teen Spirit", which peaked at number 35 on the Billboard Hot 100. This song was Yankovic's second-highest charting single, after "Eat It", which was released in 1984. The cover also parodies the cover of Nirvana's album, Nevermind. The original had a naked baby in the water with a dollar bill cast by a fishing rod; Yankovic's replaced the baby with himself, and the dollar bill with a donut. Off the Deep End was Yankovic's fourth Gold record, and went on to be certified Platinum for sales of over one million copies in the United States. In addition, the album was later nominated for a Grammy Award for Best Comedy Recording in 1993. 
 
 Alfred Matthew "Weird Al" Yankovic (/ˈjæŋkəvɪk/ YANG-kə-vik; born October 23, 1959) is an American singer, musician, record producer, and actor who is known for humorous songs that make light of pop culture and often parody specific songs by contemporary musical acts. He also performs original songs that are style pastiches of the work of other acts, as well as polka medleys of several popular songs, most of which feature his trademark accordion. Since having a comedy song aired in 1976, Yankovic has sold more than 12 million albums (as of 2007), recorded more than 150 parodies and original songs, and performed more than 1,000 live shows. His work has earned him five Grammy Awards and a further 11 nominations, four gold records, and six platinum records in the U.S. His first top ten Billboard album (Straight Outta Lynwood) and single ("White & Nerdy") were both released in 2006, nearly three decades into his career. His latest album, Mandatory Fun (2014), became his first No. 1 album during its debut week. Yankovic's success comes in part from his effective use of music videos to further parody pop culture, the song's original artist, and the original music videos themselves, scene-for-scene in some cases. He directed later videos himself and went on to direct for other artists, including Ben Folds, Hanson, the Black Crowes, and the Presidents of the United States of America. With the decline of music television and the onset of social media, he used YouTube and other video sites to publish his videos; this strategy helped to boost sales of his later albums. He has stated that he may forgo traditional albums in favor of timely releases of singles from the 2010s onwards. In addition to recording his albums, Yankovic wrote and starred in the film UHF (1989) and the television series The Weird Al Show (1997). He has also made guest appearances and performed voice acting roles on many television shows and video web content, in addition to starring in Al TV specials on MTV. He has also written two children's books, When I Grow Up (2011) and My New Teacher and Me! (2013). 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 12 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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