VIEW IN MY ROOM
Painting, Acrylic on Canvas
Size: 59.1 W x 27.6 H x 0.6 D in
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This painting is a triptych depicting a wounded lion which was inspired by a stone relief from ancient Nineveh. The base is scraped acrylic colour; pink, orange and cyan with a stencil of a 'snake lying upon treasure' in gold spray paint. These are placed at the entry points of the wounds of the lion which is impaled by a sword and two arrows. The sword is cutting into the mind with a diagram of a brain in black and white, written 'foolish flesh wisdom'. The first arrow in the middle panel is penetrating a diagram of a heart, written 'a man's heart'. The second arrow is penetrating the hinder part of the lion, written 'false strength'. The tongue of the lion is extended and written upon it; 'life and death'. Pfizer and Astra Zeneca logos also feature.
Multi-paneled Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:59.1 W x 27.6 H x 0.6 D in
Number of Panels:3
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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I use recurring themes based upon my own perceptions of the world we live in.Realism can feature in my work sometimes but i'm generally driven by abstraction. The process has to be enjoyable, quick and not labored. Creative play forms a large part of the artworks. I was influenced by Picasso's 'unlearning' process of imitating child like drawing. What are we trying to say as an artist is something crucial to the work. My theme is generally focused on 'trust' and 'deception'. I'm traditional in the sense that I like the 'format' of painting, print and sculpture. My style evolved from splicing contrasts together, Id make a stencil, push some acrylic through it instead of spray. Then Id paint over them so that they became partially lost in the painting. This was to recreate a visual way of showing how things are hidden. In the same way our body has an inward working of lungs and the intestines. Also how in the world there are things obscured within events. These events draw our attention but the surface of them hides something deeper. So the work in its composition conveys hidden things, sometimes I'll use childish imagery to obscure something sinister. I might do this to show how a simple way of thinking hides something more complicated. Its complexity could be intimidating. There are lots of allegorical meanings too, I might show a thorny rose for example. This would indicate good and evil. You might be intrigued as to why Id write ' life and death' on a lion's tongue? This would show the power of the tongue.
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