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WUKONG Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 72 H x 1.5 D in

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About The Artwork

The Monkey King, known as Sun Wukong (孫悟空/孙悟空) in Mandarin Chinese, is a legendary mythical figure best known as one of the main characters in the 16th-century Chinese novel Journey to the West (西遊記/西游记) and many later stories and adaptations. In Journey to the West, the Sun Wukong is a monkey born from a stone who acquires supernatural powers through Taoist practices. After rebelling against heaven, he is imprisoned under a mountain by the Buddha. After five hundred years, he accompanies the monk Tang Sanzang (唐三藏) and two other disciples on a journey to retrieve Buddhist sutras from the West (the Indian subcontinent), where Buddha and his followers reside. Sun Wukong possesses many abilities. He has immense strength, and is able to support the weight of two celestial mountains on his shoulders while running "with the speed of a meteor". He is extremely fast, able to travel 108,000 li (54,000 km, 34,000 mi) in one somersault. Sun Wukong also acquires the 72 Earthly Transformations, which allow him to transform into various animals and objects. He is a skilled fighter, capable of defeating the best warriors of heaven. His hair possesses magical properties, capable of creating copies of himself or transforming into various weapons, animals, and other objects. He also demonstrates partial weather manipulation abilities and can stop people in place with fixing magic. History: As one of the most enduring Chinese literary characters, the Monkey King has a varied background and colorful cultural history. His inspiration comes from an amalgam of Indian and Chinese culture. The Monkey King was possibly influenced by the Hindu deity Hanuman, the Monkey-God, from the Ramayana, via stories passed by Buddhists who traveled to China. The Monkey King's origin story includes the wind blowing on a stone, whereas Hanuman is the son of the God of Wind. Some scholars believe the character originated from the first disciple of Xuanzang, Shi Banto. His inspiration might have also come from the White Monkey legends from the Chinese Chu kingdom (700–223 BC), which revered gibbons. These legends gave rise to stories and art motifs during the Han dynasty, eventually contributing to the Monkey King figure. He may have also been influenced by local folk religion from Fuzhou province, where monkey gods were worshipped long before the novel. This included the three Monkey Saints of Lin Shui Palace, who were once demons, who were subdued by the goddess Madam Chen Jing Gu, the Empress Lin Shui. The three were Dan Xia Da Sheng (丹霞大聖), the Red Face Monkey Sage, Tong Tian Da Sheng (通天大聖), the Black Face Monkey Sage, and Shuang Shuang San Lang (爽爽三聖), the White Face Monkey Sage. The two traditional mainstream religions practiced in Fuzhou are Mahayana Buddhism and Taoism. Traditionally, many people practice both religions simultaneously. However, the origins of local religion dated back centuries. These diverse religions incorporated elements such as gods and doctrines from different provincial folk religions and cultures, such as totem worship and traditional legends. Though there are primarily two main religions in China, since it is so large, different folk stories will vary from towns, cities, and provinces with their own myths about different deities. Sun Wukong's religious status in Buddhism is often denied by Buddhist monks both Chinese and non-Chinese alike, but is very welcomed by the general public, spreading its name across the globe and establishing itself as a cultural icon. Source: Wikipedia In Chinese mythology, Sun Wukong (孫悟空), also known as the Monkey King, is a trickster god who plays a central role in Wu Cheng’en’s adventure novel Journey to the West. Wukong is blessed with unmatched superhuman strength and the ability to transform into 72 different animals and objects. Each of his hairs have transformative powers, and he can magically manipulate wind, water and fire as well. Characterized by his short temper, impatience and proclivity towards anger, Sun Wukong is one of the most important and beloved literary figures in Chinese culture. Etymology: Sūn Wùkōng’s name is comprised of the characters for “grandson” (孫), “awakened” (悟) and “space”(空). Though the character sūn (孫) usually refers to grandsons, in this context it refers to monkeys. His name literally translates as the “monkey awakened by the emptiness.” Wukong’s name is meant to represent his spiritual journey from an ignorant, short-tempered monkey to a benevolent, enlightened being. In Japan, he is known as Son Goku. Attributes: Being a monkey, Sun Wukong has a very distinct appearance that sets him apart from the other gods. Prior to his enlightenment, Wukong is usually depicted as a naked macaque. After devoting himself to the Buddhist monk Tang Sanzang, Wukong is generally shown in full warrior gear with special items such as a golden chainmail shirt, a phoenix feathered cap, cloud-walking boots, and an eight ton staff that can shrink to the size of a needle. Family: Sun Wukong does not have any blood relatives, as he was born from a magical rock. Prior to joining the Jade Emperor’s court, he lorded over a group of wandering monkeys who took care of him and regarded him as their leader. Mythology: The legend of Sun Wukong first appeared in the Song Dynasty-era adventure novel Journey to the West. The book follows the story of a humble Buddhist monk named Tang Sanzang who travels from his home in Southern China to India in order to bring back holy texts and enlighten his countrymen. After being released from the mountain he was trapped under for 500 years, Wukong serves as the monk's bodyguard throughout his journey. Source: mythopedia.com

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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