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65" x 65 "x 2".
Acrylics, Cardboard, Newspaper, Gesso, Charcoal and Varnishes on Canvas. Ready for hanging.
2010. Signed on back.
The inspiration for this painting came from a writing by Jimmy Carter for the National Geographic Magazine regarding the already critical state of our planet's health: THE PROBLEMS MAY SEEM INSURMOUNTABLE, BUT THEY ARE NOT. WE HAVE THE TOOLS; WE HAVE BRILLIANT, EDUCATED PEOPLE TO FIND ANSWERS. ALL WE NEED IS A SENSE OF SHARING AND THE WILL TO CHANGE. THE WILL CAN GROW FROM UNDERSTANDING. ONCE WE UNDERSTAND, WE CAN CARE, AND ONCE WE CARE, WE CAN CHANGE. Every time we look thru the periscope, we will see those words.
65" x 65 "x 2".
Acrylics, Cardboard, Newspaper, Gesso, Charcoal and Varnishes on Canvas. Ready for hanging.
2010. Signed on back.
The inspiration for this painting came from a writing by Jimmy Carter for the National Geographic Magazine regarding the already critical state of our planet's health: THE PROBLEMS MAY SEEM INSURMOUNTABLE, BUT THEY ARE NOT. WE HAVE THE TOOLS; WE HAVE BRILLIANT, EDUCATED PEOPLE TO FIND ANSWERS. ALL WE NEED IS A SENSE OF SHARING AND THE WILL TO CHANGE. THE WILL CAN GROW FROM UNDERSTANDING. ONCE WE UNDERSTAND, WE CAN CARE, AND ONCE WE CARE, WE CAN CHANGE. Every time we look thru the periscope, we will see those words.
65" x 65 "x 2".
Acrylics, Cardboard, Newspaper, Gesso, Charcoal and Varnishes on Canvas. Ready for hanging.
2010. Signed on back.
The inspiration for this painting came from a writing by Jimmy Carter for the National Geographic Magazine regarding the already critical state of our planet's health: THE PROBLEMS MAY SEEM INSURMOUNTABLE, BUT THEY ARE NOT. WE HAVE THE TOOLS; WE HAVE BRILLIANT, EDUCATED PEOPLE TO FIND ANSWERS. ALL WE NEED IS A SENSE OF SHARING AND THE WILL TO CHANGE. THE WILL CAN GROW FROM UNDERSTANDING. ONCE WE UNDERSTAND, WE CAN CARE, AND ONCE WE CARE, WE CAN CHANGE. Every time we look thru the periscope, we will see those words.
65" x 65 "x 2".
Acrylics, Cardboard, Newspaper, Gesso, Charcoal and Varnishes on Canvas. Ready for hanging.
2010. Signed on back.
The inspiration for this painting came from a writing by Jimmy Carter for the National Geographic Magazine regarding the already critical state of our planet's health: THE PROBLEMS MAY SEEM INSURMOUNTABLE, BUT THEY ARE NOT. WE HAVE THE TOOLS; WE HAVE BRILLIANT, EDUCATED PEOPLE TO FIND ANSWERS. ALL WE NEED IS A SENSE OF SHARING AND THE WILL TO CHANGE. THE WILL CAN GROW FROM UNDERSTANDING. ONCE WE UNDERSTAND, WE CAN CARE, AND ONCE WE CARE, WE CAN CHANGE. Every time we look thru the periscope, we will see those words.
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VIEW IN MY ROOM

YELLOW SUBMARINE Painting

Adrián Sierra

United States

Painting, Acrylic on Canvas

Size: 65 W x 65 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $9,600
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About The Artwork

65" x 65 "x 2". Acrylics, Cardboard, Newspaper, Gesso, Charcoal and Varnishes on Canvas. Ready for hanging. 2010. Signed on back. The inspiration for this painting came from a writing by Jimmy Carter for the National Geographic Magazine regarding the already critical state of our planet's health: THE PROBLEMS MAY SEEM INSURMOUNTABLE, BUT THEY ARE NOT. WE HAVE THE TOOLS; WE HAVE BRILLIANT, EDUCATED PEOPLE TO FIND ANSWERS. ALL WE NEED IS A SENSE OF SHARING AND THE WILL TO CHANGE. THE WILL CAN GROW FROM UNDERSTANDING. ONCE WE UNDERSTAND, WE CAN CARE, AND ONCE WE CARE, WE CAN CHANGE. Every time we look thru the periscope, we will see those words.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:65 W x 65 H x 2 D in

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Hello. I was born in Caracas, Venezuela., and left relatively early to boarding school in Madrid, Spain. Later, i went to NYC with the idea of getting into Parsons School of Design, but after a few months of too much party my parents decided that NYC was not the best option, and i was sent to Rio de Janeiro, Brazil to study Architecture. After 5 years in Rio, i went back to Caracas and worked for a year in my uncle's Architecture firm, and left again, this time to San Francisco, US, to work on a Master's degree at UC Berkeley, and ended staying in San Francisco where i worked at a very prestigious Architecture firm for 9 years as a Project Architect. Perhaps the fact that my job took more hours than i was willing to give, despite my love for Architecture, which became a source of increasing stress,motivated me to start exploring painting as a way for releasing that stress. My father was an accomplished amateur painter...he would make this beautiful portraits of his prized horses and bulls, at our ranch, so since very young i had paint at my disposal to play, and both my parents took me to long visits to many museums around the world, and i participated actively in choosing the paintings they acquired for our homes, abstracts being almost always the choices made, so i fell in love with abstract art. Once i dared to try to do something on my own, and liking it, i was hooked. Although i continued working for another 2 years, at some point i decided that what i really wanted to do was to paint, and voilà.

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