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Yellowstone #2 Painting
United States
Painting, Oil on Canvas
Size: 58 W x 50 H x 2.5 D in
Ships in a Crate
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Artist featured in a collection
About The Artwork
The Yellowstone Series departs from photographs I took at Basin after the first snow had fallen. The very cold nights were contrasted with warm days which created a rich, steamy and colorful world to investigate. The larger works reference the mystic world of the geyser steam and the smaller works are intimate views looking into the Paint Pots. These paintings reference the Fountain Paint Pots in the Gibbon Geyser Basin at Yellowstone National Park in Wyoming. Thermal features in the basin include over 50 springs, geysers, vents and mud pots. The behavior of the thermal activity changes in relationship to seasons of the year and the amount of subterranean water. Shades of blue, red, yellow, orange, grey and brown are present in the water and mud creating varying combinations of textures and color. The differing colors are derived from oxidation of the iron in the mud. Rising gases and heat cause the bubbling action in the Paint Pots.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:58 W x 50 H x 2.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
« The alchemical and physical processes of painting are the foundation of my creative practice. » Virginia Bradley is a distinguished American contemporary, abstract painter. Bradley's research into natural phenomena, geological and oceanographic formation serves as a starting point for her abstract works. Like an alchemist she transforms the work through the use of diverse materials and physical acts. Virginia adds and subtracts into the painting surface by pouring paint, sanding, drawing and printing while simultaneously experimenting with chemical reactions to the surface. Thus her studio becomes a laboratory for experimentation, an athanor for the interaction of diverse materials. She repeats these processes until the piece evolves into a finished state of multiple luminous layers, referring to water, the richness of the air and the unknown and attaining a higher level of physicality and contemplation.
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