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Example of work framed. (Frame is not included)
Example of work framed. (Frame is not included)
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Yosemite Impressions And Reflections Painting

Tatyana Fogarty

United States

Painting, Gouache on Paper

Size: 6 W x 6 H x 0.2 D in

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$185

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About The Artwork

Inspired by a recent trip to observe and study the fall colors in Yosemite, this gouache painting focuses attention on the clear bright reflections of Yosemite rocks and colorful trees at Mirror Lake. Materials used to create this artwork: Gouache on Trekell Hot Press Watercolor paper adhered to a Gatorfoam panel. The painting surface is protected with multiple coats of archival varnish, making it possible to frame without glass. The painting is sold unframed and it will require a frame to display on the wall. It can easily fit in a standard (USA) 6"x6" frame. Kindly note that not all in-context (in a room) pictures provide a true sense of scale of artwork. Please refer to listing size. Images showing the painting framed are for presentation purposes only. Frame is not included.

Details & Dimensions

Painting:Gouache on Paper

Original:One-of-a-kind Artwork

Size:6 W x 6 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); an Artist Member of California Art Club (CAC), and Oil Painters of America (OPA). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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