carnival of venice Painting

I use acrylic or oil paint and allow movement and strokes coming from my inside. In the production stage, by choosing large brushes and wide movements, I create spontaneous, irregular and chaotic paintings. The picture that passes through a rapid formation process wants to find the simple, strong and primitive one. Because of the modern life koas, I look more into my inside. As a result of alienation from the empirical reality, I begin to seek peace with the inner essentia to integrate with the essentia of the universe. In doing so, I take advantage of the uncontrolled and consciousness flow of automatism. When the work formed after a ritualistic intense moments, it is not important to think like a stereotype and put any other meaning about work. Because, that work is only itself, a new and unique formation, not a picture of another thing, not the image of another feeling. Trying to give its other meanings and looking at it as it is a reflection of a already existing emotion, or likening it to an existing object, destroys its true identity. Why can't it just be itself.