VIEW IN MY ROOM
Austria
Painting, Enamel on Aluminium
Size: 31.5 W x 23.6 H x 0.2 D in
Ships in a Box
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Artist featured in a collection
Photo print (glossy) on aluminium backing 80 x 60 cm Günter Konrad 2014 Signed and dated on the back. Limited to 50 pieces. decollage, overpainting, mixed media... Fujicolor Crystal Archive Paper - highest quality paper for gallery prints - last longer and minimise fading - brilliant colors for 75 years - laser exposure system (Durst Lambda) A solid aluminium backing - 3 layers - brand quality from Germany - Lumabond Pro III® - using a special adhesive - using a precision CNC cutter Hanging elements included - includes hooks and spacers - i even affix them for you - you can hang your work immediately www.guenterkonrad.com info@guenterkonrad.com Katsushika Hokusai's Great Wave of Kanagawa is the most famous work from the color woodcut series The 36 Views of Mount Fuji. The basic picture I have combined with a pile of paint, a second mountain of poster breaks, some color and malfragment as well as a heart and the words me too. Mind you, I created the work in 2014. Interesting how words and interpretations shift over time. I like it. Fight Facts about the art historical painting: Katsushika Hokusai Part of the series 36 views of mount Fuji, no. 21 First publication: between 1826 and 1833 color woodblock print
Painting:Enamel on Aluminium
Original:One-of-a-kind Artwork
Size:31.5 W x 23.6 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Austria.
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Austria
Fragments get a new code. The best subversion is to disfigure codes instead of destroying them. see - Roland Barthes - In my artistic work I am talking about the ongoing change, connection and communication between the inner and outer worlds, and about the inevitable bond between art and human life in general. I feel drawn to the tension between opposites, the grey areas between black and white, the confusion and contemplation, stereotypes and prejudice. Décollages - ripped or lacerated posters - are part of everyday aesthetics. In their wildness, rejection can be deciphered - a manifestation of the spontaneous and direct expression. Artists like Raymond Hains and Jacques Villeglé recognized the quality of this un-conventional form of art. I try to transform this method into our contemporary digital age. I‘m currently working on a series of digital décollage and digital overpaintings titled „covert and discovered history“. Here I merge digitalized, famous single works of art history with my own photographs of anonymous, collective decollages, tags and urban fragments. In the melting pot of bits and bytes I liquefy the contrasting codes and add them together to a new whole. On the one hand you have the art historical artifacts of high culture from the past eras and on the other hand the wild, unbridled, credible expression, the codes, the inscriptions of the current visual grammar combined with my own paintings and writings. My aim is to connect those two antithetical approaches to art in my work and so create something utterly new.
Artist featured by Saatchi Art in a collection
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