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Many thin layers of paint and drawing create a painting with depth and resonant colour on heavy weight white paper. Inspired by the St Ives painters of the 50's and 60s and other painters such as Gillian Ayres and Joan Mitchell .I think of my paintings as a sort of music evoking the idea of a soundtrack to a particular time translated into colour and mark. The painting is almost square and has a crisp masked white border for easy framing. The painting has presence when mounted with a wide border in a neutral frame.
Many thin layers of paint and drawing create a painting with depth and resonant colour on heavy weight white paper. Inspired by the St Ives painters of the 50's and 60s and other painters such as Gillian Ayres and Joan Mitchell .I think of my paintings as a sort of music evoking the idea of a soundtrack to a particular time translated into colour and mark. The painting is almost square and has a crisp masked white border for easy framing. The painting has presence when mounted with a wide border in a neutral frame.
Many thin layers of paint and drawing create a painting with depth and resonant colour on heavy weight white paper. Inspired by the St Ives painters of the 50's and 60s and other painters such as Gillian Ayres and Joan Mitchell .I think of my paintings as a sort of music evoking the idea of a soundtrack to a particular time translated into colour and mark. The painting is almost square and has a crisp masked white border for easy framing. The painting has presence when mounted with a wide border in a neutral frame.
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friday dancing Painting

Julia Burns

United Kingdom

Painting, Acrylic on Paper

Size: 22.8 W x 22.8 H x 0 D in

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SOLD
Originally listed for $580
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About The Artwork

Many thin layers of paint and drawing create a painting with depth and resonant colour on heavy weight white paper. Inspired by the St Ives painters of the 50's and 60s and other painters such as Gillian Ayres and Joan Mitchell .I think of my paintings as a sort of music evoking the idea of a soundtrack to a particular time translated into colour and mark. The painting is almost square and has a crisp masked white border for easy framing. The painting has presence when mounted with a wide border in a neutral frame.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:22.8 W x 22.8 H x 0 D in

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Julia’s work explores the physicality of painting, the use of colour to give an illusion of space within the work and the application of mark almost as a ‘beat’ within the pieces. The paintings explore the poetry of lost things. They describe encounters within the world and the impossibility of assimilation or permanence. They are concerned with memory, the fleeting glimpse, traces and journeys not taken and elegiac shifts of balance. The work sometimes alluding to interiors or landscapes but is essentially about colour relationships and improvisations, the process of the painting revealing the image through time. “I am interested in creating paintings which act like soundtracks to a particular time.” The paintings are acrylic paint and crayon on paper worked in many thin layers to achieve the richness of colour. The crisply masked edge ‘contains’ the sometimes-elusive imagery and the addition of crayon drawing adds a broken textural line. Julia has been a practicing artist since 1983. She has exhibited widely in Britain and Europe. She is a member of the Wolverhampton Society of Artists.

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